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Art and industry : as represented in the exhibition at the Crystal Palace, New York--1853-4 : showing the progress and state of the various useful and esthetic pursuits
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New York crystal palace for the Exhibition of the Industry of All Nations
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Image of a large exhibition building made of iron and glass with a dome at center constructed for the Exhibition of the Industry of All Nations in New York City; a large crowd of people is gathered outside, including pedestrians, horse-drawn vehicles, and people on horseback; the directors, architects, and engineers for the project are listed in the lower margin.
priJLC_FAIR_001713
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Tallis's history and description of the Crystal Palace, and the exhibition of the world's industry in 1851;
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Interior view of the New York crystal palace for the Exhibition of the industry of All Nations
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Image of the interior view under the East Nave of the Crystal Palace exhibition building for the Exhibition of the Industry of All Nations in New York, New York, in 1853-1854; people walk through the galleries and admire the sculptures on display; 25 named directors and their offices are listed below image.
priJLC_FAIR_001691
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The Crystal Palace Exhibition : illustrated catalogue : London 1851 : an unabridged republication of the Art-journal special issue
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"The greatest of all international expositions and world fairs is generally conceded to have been the incredible Crystal Palace Exhibition of 1851 in London. Officially titled The Exhibition of the Industry of All Nations, it was held in a gigantic greenhouse-like building that covered almost 20 acres, used almost a million square feet of glass, and taxed the resources of a nation to erect. This was the Crystal Palace, one of the wonders of the 19th century, in which the nations of the civilized world exhibited their achievements in the arts and sciences. Almost as important as the exhibition itself was the Illustrated Catalogue printed by the Art-Journal in 1851. The semi-official record of the exposition and much the best publication about it, it circulated around the civilized world and brought the London of Queen Victoria (with the comparable high achievements of Paris, Berlin, Liège, New York) into the living milieu of countless designers and inventors. Richly illustrated, it displayed an entire universe of design: ceramics, textiles, cast-iron work, domestic furniture, cut glass, decorative hardware, chimneypieces, carpets, pianos, figureheads, lighting fixtures, statuary, terra-cotta work, razors, wall papers, stoves, carriages, weapons, sleighs, billiard tables, clocks, beehives, mosaics, silverware, and hundreds of other artifacts. A text accompanying more than 1500 illustrated items gives the illusion that you are on a walking tour of the Palace itself."--Back cover.
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Treasures of art, industry and manufacture represented in the American Centennial exhibition at Philadelphia 1876
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