Rare Books
The state house, in Boston, Massachusetts
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[Boston, Massachusetts]
Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555
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Boston, Massachusetts
Visual Materials
This collection contains approximately 1,000 printed 19th and early 20th century entertainment broadsides, playbills, and related advertisements, and forms a subset within the Jay T. Last Collection of Entertainment. These items advertise theatrical performances including plays, variety entertainment such as minstrel, burlesque, and vaudeville shows, and optical displays such as dioramas, living statues, and tableaus. Over 250 theaters primarily from the Northeastern United States are represented in the collection, though there are also materials from theaters in the Midwestern, Southern, and Western United States, and approximately 26 items from Canada, Ireland, England, and Scotland. The materials range in size from approximately 9 1/2 x 6 inches to 42 1/2 x 14 inches and consist of single-sheet unfolded advertisements for theatrical productions that were intended to be distributed by hand, posted on walls, fences, or in windows, or sold to playgoers entering the theater. Among the names given to these types of advertisements, according to their size and mode of distribution, are broadsides, dodgers, handbills, hangers, playbills, posters, and show bills.
priJLC_ENT_TBroadsides