Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Rare Books
Tales of the Pampas
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Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Image not available
Visual Materials
The B.D. Jackson Collection of Negatives and Photographs consists of 804 4 x 5 in. and 8 x 10 in. glass plate negatives, 1782 film negatives (including stereo negatives), 2302 black and white photographs (including stereos, postcards, and photograph albums), and related manuscript and ephemeral materials, 1903-1950s (bulk 1920s-1930s), that provide a visual history of the growth of many of the San Gabriel Valley's suburban communities, a survey of many of California's (and the western United States') notable landscapes, and an overview of Jackson's career as a landscape and scenic view photographer.
photCL 332
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Visual Materials
The Glendora Historical Society of B.D. Jackson Photographs and Negatives consists of 1202 black-and-white and color photographs (including postcards, stereographs, mounted photographs, and photograph albums) and 202 black-and-white and color negatives created by B.D. Jackson and/or collected by Jackson, his wife Cora, and his stepdaughter Ruth, 1893-1951 (bulk 1920s-1930s). The collection provides a broad overview of the growth of many of the San Gabriel Valley's suburban communities as well as a survey of many notable landscapes of California and the American West. It also gives an overview of Jackson's career as a commercial, landscape, and scenic view photographer, and contains family photographs. The collection supplements and complements the B.D. Jackson Collection of Negatives and Photographs (photCL 332). Many of the negatives in the Jackson Collection exist in print form in the Glendora Collection, and many of the images in the Glendora Collection round out series in the Jackson Collection.
photCL 448
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Visual Materials
This is a collection primarily of negatives and photographic prints depicting the growth of Santa Monica and Los Angeles, California, from 1860s to 1980s. Many views are cityscapes or street views, showing buildings, storefronts, homes and roads, and documenting the use of railroads, trolleys, streetcars, and automobiles. There are many card photographs by early professional photographers, and also a number of snapshots made by amateurs, some in personal photo albums. The collection's scope also includes early views of many other communities in Southern California (and a few in other states); the beginnings of aviation in Santa Monica, including the first Douglas Aircraft Company buildings; a photo album of residents in Topanga Canyon, ca. 1913; automobile racing in Los Angeles and Santa Monica, 1920s; maritime views; a photo album of U.S. troops in France during World War I; a 1949 real estate development in Apple Valley, California, and others. Besides photographs, a portion of the collection consists of scarce publications and historical ephemera, primarily related to Santa Monica and Los Angeles, including brochures, advertising cards, menus, event programs and other materials. Highlights of the Santa Monica images are aerial views of the buildings along the coast and pier (1920s); several views of the Arcadia Hotel (1880s); the Long Wharf and adjoining railroad and train depot; the first bath houses on the beach; the beach club culture of the 1920s and 1930s; the amusement piers of Santa Monica, Ocean Park and Venice; and the beginnings of the Douglas Aircraft Company. There is a large set of promotional photographs made late 1920s-1930s by Powell Press Service depicting people enjoying Santa Monica's beaches, clubs and outdoor recreation. An important subset within the collection is 407 negatives made ca. 1890 - 1908 by Los Angeles historian and amateur photographer George W. Hazard (1842-1914). Hazard travelled around Los Angeles and vicinity photographing the adobes, houses, streets and storefronts that told the early history of the city. Many of Hazard's negatives have handwritten identifications, naming streets, former homeowners, ranchos, and other historical details. There are a large number of cabinet cards and other card-mounted prints and stereographs. There are 1,264 stereograph prints, highlighted by the works of photographic pioneers William M. Godfrey, Francis Parker, Hayward & Muzzall, and Carleton Watkins. Other formats represented are: glass and film negatives; panoramic prints; 7 photograph albums, photographic postcards, 20th-century color prints and transparencies; and a small number of tintypes, cyanotypes and a set of chromolithographs.
photCL 555