Rare Books
The Almanack of the month. : A review of everything and everybody
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Press: Reviews: Man Everybody Was Afraid Of
Manuscripts
This collection contains the papers of Los Angeles author and gay activist Joseph Hansen and includes drafts of published and unpublished work; correspondence; manuscripts of works by some of Hansen's friends, family, and students; professional papers primarily related to publishing; and personal and family papers. The bulk of the material dates from the 1940s through the early 2000s. The collection includes works by Joseph Hansen, which consists of chiefly typescript drafts for most of Hansen's novels (including those published under the pseudonyms Rose Brock and James Colton), poetry, essays and articles, and television and play scripts. While there are some handwritten edits and corrections among the drafts and proofs, the majority do not have annotations. There are also two boxes with copies of various publications, primarily literary magazines and newspapers, containing Hansen's published work. There are two boxes with various manuscripts of work by friends and family of Hansen including poems by FrancEyE, and drafts of novels: In Search of Truth by Chris Gugas and People Talking to Themselves by Armine D. Mackenzie. There is also a ledger and manuscript by Belle Race from the early 1900s, who presumably was a relative of Hansen's wife Jane Bancroft Hansen. The correspondence in the collection includes both personal and professional letters sent and received by Hansen. There is a sizable amount of correspondence between Hansen and his publishers and agents including Collier Associates, Countryman Press; Holt, Rinehart & Winston; Harper & Row; the John Johnson Agency; Joan Kahn; and Penguin Books. In addition, there are also five folders of rejection letters sent to Hansen. Within Hansen's personal correspondence, notable correspondents include: British author Beryl Bainbridge, who befriended Hansen in the 1970s while Hansen was living in London; English composer and musician Richard Rodney Bennett; the publisher Brandon House, who put out Hansen's Colton books; gay filmmaker Arch Brown, who collaborated with Hansen on a playscript of Hansen's novel Backtrack, which was not produced; American crime fiction writer Dorothy Salisbury Davis, with whom Hansen corresponded regularly; poet, and girlfriend of Charles Bukowski, FrancEyE (aka Frances Dean Smith); American author Philip Gambone who published a profile of Hansen in Something Inside: Conversations with Gay Fiction Writers; poet and literary critic Diana Gioia; gay activist William "Billy" Glover, who worked at One magazine and after helped form the Homosexual Information Center in 1968; poet and literary critic William Harry Harding; gay activist Ross Ingersoll; poet Bill Mohr; critic Terry Teachout, who reviewed some of Hansen's novels; and crime writer Charles Ray Willeford. There are also insignificant pieces of correspondence from well-known individuals: James Blish, James Broughton, Sue Grafton, Tony Hillerman, George Plimpton, Julian Symons, and Andrew Vachss. Professional and personal materials include a variety of materials related to many different parts of Hansen's life, including business, publishing, and financial documents; miscellaneous ephemera, research materials; family papers, with writings and papers by Jane Bancroft Hansen as well as the Hansen's only child Daniel Hansen; press features on Hansen and reviews of his publications; materials related to Hansen's KFI radio program "Stranger from the Sea"; documents related to Hansen's teaching, chiefly at the UCLA extension school; miscellaneous materials related to Hansen's involvement with the gay community such as the Gay Community Services Center and the homosexual Information Center; and some materials related to his work on a 1970 issue of the literary magazine Beyond Baroque. The collection contains one box of photographs with images of Hansen throughout his life, as well as family members including Jane Bancroft Hansen and Daniel Hansen, and some friends and residences. The collection also contains approximately 70 drawings on paper presumably by Jane Hansen from the 1960s, of which many may have been created as part of art class.
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Month – Prod. History/Reviews
Manuscripts
The collection consists of copies of scripts for plays performed at the Mark Taper Forum in Los Angeles, Calif., and at its other theaters, including The Improvisational Theatre, New Theatre for Now, and The Lab. New scripts are added to the collection at the conclusion of each season.
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Everything
Rare Books
"From January 2003 to May 2004, photographer Anthony Hernandez walked the basin of the Los Angeles River, recording what he saw--which, as the book's title implies, was more or less 'Everything.' For Hernandez, to explore the river was to explore his own past. As a boy growing up in Boyle Heights, a largely Latino neighborhood in East Los Angeles, he played in the concrete basin, or as he puts it, got into 'mischief,' exploring railroad flares in its tunnel-like storm drains ... By definition, photographs freeze time. But when they are collected and linked, as these are, they move through time--which since the dawn of figurative language has been symbolized as a river. A river is also an icon of renewal. Water fills it, evaporates, and descends again as rain. There is, however, a warning quality to the vignettes Hernandez captured in this river. Non-biodegradable dolls, the undead, gird for attack; pollutants glisten and, in the case of the bird on the cover, kill. Many images are, to be sure, breathtakingly beautiful, both in color and composition. But they suggest that we as a culture may have through negligence blown our chance at regeneration"--From essay.
653178
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Everybodys
Visual Materials
The Citrus label collection contains more than 1,500 lithographed labels related to the California citrus industry in the United States from 1880 to 1960, with the bulk of the collection dating from 1890 to 1940. The vast majority of the collection consists of lithographed labels produced for Californian growers, packers, and distributors to identify brand names and packing locations on wooden shipping crates of oranges, lemons and grapefruits. Many of the labels were printed by Los Angeles and San Francisco lithographers. The collection includes a range of lithography techniques from crayon drawing and hand stippling to the use of Ben Day screen patterns and half-tone lithography. The collection also includes more than 100 examples with "bronzing," a printing technique where varnish is printed on the label, followed by a dusting of fine bronze powder. A significant number of labels are stamped on verso with a received date by the Fruit Growers Supply Company, and some include signatures of approval or notations about printing corrections. The collection provides a broad view of the development of citrus fruit advertising over time, and also touches upon topics of commerce, manufacturing, travel and tourism, and promotion of the western United States. In the earliest examples, themes include naturalistic designs of flowers, animals, women, historical subjects, and scenic landscapes. Brand names, simple designs, block letters, and geometric patterns dominate in later examples. Many of the labels depict orange groves, scenic views, or flowers, though the collection also includes a wide variety of imagery beyond these themes including Native Americans, transportation, children, and portraits of famous or fictional people.
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Printed reviews of Eight Months on Ghazzah Street
Manuscripts
Two reviews include A Change of Climate.
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