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A cypress grove
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Flowres of Sion: by VVilliam Drummond of Hawthorne-denne. To which is adjoyned his cypresse groue
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59136
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Cruikshank-Cypress
Manuscripts
The collection contains over three hundred folders of correspondence that are arranged alphabetically by correspondent in fifty-eight boxes. The collection ranges from 1878 to 1972, with the bulk of the correspondence being from the years 1900 to 1979. The correspondence includes letters, telegrams, postcards, photographs and one record disc (box 26). The correspondence is mainly related to the library collection itself or to the library as an institution. The letters include commentary on the collection, the acquisition and transfer of items, inquiries about the holdings of the library, letters of thanks and congratulations from visitors, financial transactions, and letters between members of the staff. Box 52 contains miscellaneous files labeled as crank files which are often unsolicited.
HIA 31.1
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"The Lone Cypress,"
Visual Materials
The collection consists of 298 photographs, 1878-1951 (bulk 1890-1915), collected by Orrin Peck, portraitist and landscape painter, and his sister Janet. Primarily portraits, the photographs depict friends and acquaintances (both identified and unidentified) of Orrin and Janet Peck, with particular emphasis on Phoebe Apperson Hearst and William Randolph Hearst. Also included are California scenes, including numerous views of San Francisco; unidentified residential exteriors and interiors; views of Mrs. Hearst's home, La Hacienda del Pozo de Verona in Alameda County, California; and views of William Randolph Hearst's castle "Wyntoon" (designed by architect Julia Morgan) near Mount Shasta, California. Photographers represented in the collection include Adt Portrait Studio, Waterbury, Connecticut; Joseph Albert, Munich; James C.H. Balmain, Edinburgh; Adolphe Braun, Paris; Bushnell Photo Company, San Francisco/Oakland/San Jose; Edgar A. Cohen, Alameda; Coover and Rasmussen, San Francisco; Alfred Ellis and Walery, London; Falk, New York City; Amasa P. Flaglor, San Francisco; Arnold Genthe; Theodore Gubelman, Jersey City; Franz Hanfstanegl, Munich; Frederick O. Haussler, San Francisco; C. Holzer, Munich; Thomas Houseworth, San Francisco; Imperial Photographic Gallery, San Francisco; C.W.J. Johnson, Monterey; Charles Lainer, San Francisco; Charles Lallie, London; Joseph Leeb, Munich; Ludovici's Photographic and Crayon Studios, New York; Theodore C. Marceau, New York; Luigi Montabone, Florence; G.D. Morse, San Francisco; Gabriel Moulin, San Francisco; Fried Muller, Munich; A.J. Neale, Worcester; Nelson and Bailey, Bakersfield; Pach Brothers, New York and Cambridge; Parker, Washington, D.C.; Piggott; Prince, New York, Washington, D.C.; N.H. Reed, Santa Barbara; Ruesch and Reisch; San Francisco Gallery, Towne, Photographer, Portland, Oregon; Sarony, New York; J.B. Scholl, Philadelphia; Herbert E. Simpson, Toronto; Isaiah West Taber, San Francisco; Carl Teufel, Munich; Louis Thors, San Francisco; Hector M. Vaughan, San Francisco; Vaughan and Keith, San Francisco; R.J. Waters, San Francisco;and White, New York.
photCL 359