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  Hilary Mantel papers

  Manuscripts

  Scope and Content Note -- Part I and AddendaThe collection is comprised primarily of manuscripts and correspondence of British author Hilary Mantel (1952-2022). Manuscripts include short stories, lectures, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels. Notably, all four drafts of A Place of Greater Safety are present, including Mantel's early drafts written while living in Saudi Arabia. Copious notes for The Giant, O'Brien are present, as well as significant notes for Fludd and A Change of Climate. The 2005 addenda include prolific notes and drafts of Beyond Black. Personal and business correspondence with a number of other prominent authors and figures is present, including Elizabeth Jane Howard, Barbara Epstein, Norman Hampson, Lesley Glaister, Miranda Miller and Auberon Waugh. Email strings have been catalogued according to the oldest full email present, with added entries made for the authors of email replies and significant addressees, excepting Hilary Mantel. SEALED: Boxes 47-52, 174-195 contain Mantel's diaries and are sealed for the lifetime of Mantel's widower, Gerald McEwen. Mantel's engagement books are monthly planners to cover appointment and events from 1989-1997. Ephemera includes printed items by and about Hilary Mantel, research materials, variants of cover art, publisher publicity for Mantel's books, and literature about various festivals and lectures with which Mantel has been involved. Of note are some materials relating to Mantel's life in Saudi Arabia, influential in her novel Eight Months on Ghazzah Street : an Arabic calendar, maps of Jeddah and a psychological evaluation of Mantel and her husband, Gerald McEwen. Audio tapes and CDs include interviews with Hilary Mantel, readings from her novels, and various radio programs Mantel wrote for or was involved with. Photographs include snapshots and professional portraits of Hilary Mantel and others. Some photographs appear to have been taken for book jackets. Scope and Content Note -- Part II The manuscripts in Part II include articles, short stories, interviews, and research, notes, and drafts for various novels, including Giving Up the Ghost and the first two novels in Mantel's Thomas Cromwell trilogy: Wolf Hall and Bring Up the Bodies. This material includes numerous drafts of the novels, play scripts and television adaptations based on the novels. The correspondence includes Business Correspondence and Personal Correspondence; the Business Correspondence contains letters and emails from Mantel's publishers, agents, newspapers and magazines, and a large number of requests for Mantel to speak at various conferences and events. The Personal Correspondence is mainly letters and emails from family, friends and personal fan letters. There are a number of topics covered extensively in both correspondence series: Endometriosis, Mantel's Booker Prize wins in 2009 and 2012, Mantel's work being plagiarized in 2005 by Judith Kelly in her memoir Rock Me Gently and the controversy caused by Mantel in her "Royal Bodies" comments in 2013. This material also includes a small number of photographs, mainly snapshots and studio portraits, CDs and ephemera. The ephemera contains material about festivals, lectures, honorary degrees, financial reports and annotated envelopes; also included are a small number of engagement diaries. Scope and Content Note -- Part III The manuscripts in Part III include articles, book reviews, short stories, lectures and talks, interviews, and research, notes, and drafts for the third Cromwell novel The Mirror and the Light. There are also notes, research, and early drafts for Mantel's final unfinished novel about Jane Austen entitled Provocation. The material also includes business and personal correspondence, diaries, family papers, photographs, audiovisual, and ephemera.

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  Jane Porter Papers

  Manuscripts

  This collection contains the papers of Jane Porter and includes the family correspondence of Jane Porter, Robert Ker Porter, and Anna Maria Porter spanning the years 1795-1841. This collection has several very strong subject points for the purpose of research. The correspondence between the family members describes life amongst the gentry and literary figures during the Regency and early Victorian eras. Their letters also make clear the financial straits the family faced and the struggles they endured to maintain their expected (and desired) place in society. The correspondence is also strong in the area of social customs and traditional roles of women in the Regency era, though both Jane and Anna Maria stood somewhat outside those roles as they were, with their writing, the main source of financial support for the family for many years. The letters also describe the social and economic changes in England over a span of fifty years. A number of the letters, particularly those of Robert Ker Porter, were written from Russia, Europe, and South America and provide an "Englishman's view" of the places he visited. The collection does have some areas of weakness. There is a definite lack of manuscript material for Jane, Anna Maria, and Robert Ker Porter; there are no manuscripts of their most well known novels and works. Also, entire years of correspondence are lacking, especially letters from Robert Ker Porter during various periods of his life. The papers consist of the following series: 1. Manuscripts and Documents (Boxes 1-4) are arranged alphabetically by author and title. The manuscripts consist mainly of notes, essays, reviews, and business documents written by Jane Porter, 1776-1850. There is also a small number of autograph manuscripts written by Anna Maria, Robert Ker Porter and others. Both Anna Maria and Jane Porter wrote poems and essays which they included in letters to various addressees; these poems and essays are noted on the outside of the folders, as well as in the Added Entries section of this Finding Aid. 2. Correspondence (Boxes 5-52) is arranged alphabetically by author. This series consists mainly of letters written between the Porter family and a small number written by others. The letters of Jane Porter, 1776-1850, begin early in her life and end just a short time before her death, thus spanning almost her entire life. The vast majority of the letters are personal but also included are business letters regarding the publication of the sisters' novels and articles. A large number of the business letters pertain to Robert Ker Porter: his debts, his travel books and artwork, and his diplomatic career. Jane Porter, 1776-1850, copied out the majority of these letters to send to her brother while he was traveling and living overseas. 3. Ephemera (Box 53) is arranged alphabetically by title. The ephemera consists mainly of miscellaneous envelopes and other items. There is one folder of unidentified manuscript fragments written by Jane Porter, 1776-1850, Anna Maria Porter, and others. The Ephemera also contains the spines and labels removed from the original volumes in which the letters were bound. 4. Oversize Manuscripts, Documents and Correspondence (Boxes 54-59) are arranged alphabetically by author. These items were removed from boxes 4-47 so the call numbers are not consecutive. Place holder cards were left in boxes 4-47 to indicate when an item was removed to an oversize box; each box label also indicates the specific oversize box or boxes to locate the items which were removed.

  mssPOR 1-2662

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  Manuscripts

  Manuscripts

  There are nearly three thousand separate manuscripts and manuscript notes in the Jack London Collection. As could be expected, the majority of the manuscripts are those written by Jack London himself. However, a significant number of the manuscripts in the collection were written by other persons: Charmian London, Sinclair Lewis, George Sterling, or others who sent London their work for his commentary or were paid to dramatize Jack London stories. A complete listing of all the manuscripts in the collection is available in the Jack London Register of Manuscripts -- a separate, bound volume located in the reference stacks or by request from the Manuscripts Department. However, in summary, the collection contains written notes, typewritten or holograph versions of almost everything Jack London wrote. The following books are represented in the manuscript collection: The Abysmal Brute, The Acorn Planter, Adventure (including the notes), The Assassination Bureau Ltd., Before Adam, Burning Daylight, Cherry (including a number of variant versions augmented by Charmian London and Jack London's original holographic version), The Cruise of the Snark, Dutch Courage ("Whose Business is to Live" only), Hearts of Three, The House of Pride (including some original artwork for "Koolau the Leper"), The Human Drift ("Nothing That Ever Came to Anything") and "A Classic of the Sea" are not included), The Iron Heel, Jerry of the Islands, John Barleycorn, The Kempton-Wace Letters (incomplete), The Little Lady of the Big House, Lost Face ("Flush of Gold" is not included), Love of Life ("Love of Life" and "The Story of Keesh" are not included), Martin Eden, Michael, Brother of Jerry, Moon Face (only "All Gold Canyon" and "Planchette" are available), The Mutiny of the Elsinore, The Night-Born (except "Winged Blackmail" and "Under the Deck Awnings"), On the Makaloa Mat (except "On the Makaloa Mat"), The Red One ("The Hussy" only), Revolution and Other Essays ("The Dignity of Dollars," "The Golden Poppy," "The Shrinkage of the Planet" and "Foma Gordyeeff" are not included), The Road, The Sea-Wolf, Scorn of Women, Smoke Bellew, A Son of the Sun, South Sea Tales, The Star-Rover, The Strength of the Strong (except "The Enemy of All the World" and "The Dream of Debs"), Theft, The Turtles of Tasman (except "The First Poet"), The Valley of the Moon, War of the Classes (Table of Contents and Preface only), White Fang, and A Wicked Woman. London's manuscripts are arranged by title for each individual piece however. Thus a short story collection such as The Son of the Sun is scattered throughout the manuscripts according to the title of each individual story. The collection is also rich in manuscript material written by Charmian London. Included are a number of manuscript versions of The Book of Jack London, Our Hawaii, The Log of the Snark and Charmian's ending to Eyes of Asia (Cherry). Other notable manuscripts include Charmian's notes for "Us" which later became The Book of Jack London. Also notable are her diaries from 1900-1947. The diaries were previously restricted and readers were required to obtain special permission from the Jack London estate. As of 2004, these restrictions have been lifted and the diaries are available for use without special permission. Among the manuscripts not written by the London family are those by: ATHERTON, Frank. "My Boyhood Days with Jack London." A somewhat unreliable, but nonetheless important reminiscence of Jack London's early days in Oakland. FOX, Barry. "Nakata, Son of Jack London." An article about one of Jack London's later Japanese servants. JENSEN, Emil. "Jack London at Stewart River." Recollections of London's months in the Klondike. LEWIS, Sinclair. "Plot Summaries." Some seventeen ideas for stories and novels which Sinclair Lewis sold to Jack London between 1911 and 1913. MORRELL, Edward. "Statement ... made to Jack London ..." An account of Morrell's prison experiences which London used as the basis for The Star-Rover. OPPENHEIMER, Jacob. "The Prison Tiger." Another prison story, which London incorporated into The Star-Rover. STERLING, George. Poems. Some 128 poems, some holograph, some typed, most signed, which George Sterling sent to Jack London during the many years of their friendship. THOMPSON, Fred. "Diary of Yukon Experiences." A copy of the diary which Thompson made during his trek to Dawson City with Jack London in 1897. WALLING, Anna Strunsky. "The Kempton-Wace Letters." Anna Walling's notes and writings about the book she and Jack London wrote in 1903.

  mssJL

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  Sonya Levien papers

  Manuscripts

  The collection consists of screenplays, literary manuscripts, correspondence, photographs, awards and ephemera of Hollywood screenwriter Sonya Levien. The papers consist of the following series: Screenplays (Boxes 1-16), while not consisting of Sonya Levien's total output of seventy films, does cover the entire span of her career, from A Girl of the Circus (1925) to Jeanne Eagels (1956). The screenplays also include a draft written by William Faulkner, Drums Along the Mohawk, Sonya's Oscar award-winning screenplay Interrupted Melody written with William Ludwig, and a final draft of Joseph and His Brethren written by Clifford Odets. Another script, A Woman of My Own, was a collaboration between Sonya Levien and Zoë Akins. Besides screenplays the series includes a novella written by Sonya entitled The Man Who Lived Alone, as well as, four engagement books for the years 1916, 1917, 1921 and 1924. The materials are filed alphabetically except for the oversized screenplays which are stored in Box 16. Correspondence and literary manuscripts (other than screenplays) (Boxes 17-30), are arranged alphabetically by author. They include some personal letters but are mainly business related. There are also business letters relating to the Metropolitan magazine and Carl Hovey as editor and correspondent. This series also includes original essays and articles written by Sonya Levien and others. Photographs (Box 31), are arranged by subject and date. Included are photos of Sonya Levien, covering the years c.1900-pre1961. This series also includes a large photo collection of American and British Suffrage Activists. Ephemera (Box 32) is arranged by folder number. It holds lists, clippings, concert programs, signed playbills, notes on the Suffrage movement and a guestbook. Awards (Box 33). The awards are the Christopher Award for Quo Vadis (1952), The Screen Directors Guild of America Award (1958), and, the first ever presented, Screen Writers Guild, Laurel for Achievement (1953). Awards Oversize (Box 34) are arranged alphabetically and by size. They include twelve "Box Office Blue Ribbon Awards" covering the years 1933 to 1956 for various films; the Interracial Unity Award for Cass Timberlane (1948); the Photoplay Magazine Award for Top Ten Box Office for The Green Years (1946); the mounted certificate of Nomination from the Academy of Motion Pictures Arts & Sciences for Interrupted Melody (1955); from Books & Authors for The Great Caruso (1951), and various awards from the Screen Writers of America (1951-1962). Ephemera & Photograph Oversize (Box 35) are arranged alphabetically and by size. It includes one oversize photograph (HM 74388), copies of the suffrage activist paper The Woman's Dreadnought, clippings about Sonya Levien's life and work, and various articles written by Sonya Levien or by Carl Hovey. 13. Artifacts (Box 36, not boxed) include the Academy of Motion Picture Arts & Sciences Award (the "Oscar" statuette) for William Ludwig and Sonya Levien for writing the story and screenplay of Interrupted Melody (1955). Another artifact is a motion picture film of Sonya Levien and friends, ca. 1935-pre1961 (unedited master, edited copy and a VHS videotape copy). This collection has several strong subject points for the purpose of research. In the screenplay series there are instances of 2-3 drafts of a screenplay, enabling a researcher to trace the creative process of writing a movie script. The collection is also strong in the area of women's suffrage, with such materials as letters, photos, essays, articles and the suffrage newspaper the Woman's Dreadnought. The collection also contains the correspondence of Harold Marsh Harwood and Fryniwyd Tennyson Jesse which recounts life in England and surviving the Blitz during World War II. The collection does have some areas of weakness. There is a definite lack of Sonya Levien's personal correspondence as there is little mention of Sonya's children or her husband, Carl Hovey. There is also a lack of material dealing with Sonya's early life or her work as a lawyer. The collection does have several photos of Sonya as a child and photos of her Law School class but no manuscript material.

  mssLevien

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  Conrad Aiken papers

  Manuscripts

  This collection contains the personal and professional papers of American author Conrad Aiken. The collection includes his correspondence (chiefly letters addressed to him), dealing with his business and literary affairs, manuscripts of his works, with some photographs and ephemera. The manuscripts include poems published in "Skylight One" (1949), "The Divine Pilgrim" (1949), "A Letter from Li Po" (1955), "Sheepfold Hill" (1955), "The Morning Song of Lord Zero" (1963); "The Clerk's Journal: Being the Diary of a Queer Man" (1911)" a notebook (1911-1925) containing literary notes, addresses, etc. essays, notes, the first draft of Aiken's autobiography, etc. Correspondents include: Jane Aiken Hodge, Joan Aiken, John Aiken, Mary Augusta Hoover Aiken, William Ford Aiken, Rufus Blanshard, Brandt & Brandt (firm), D. G. Bridson, Edward John Burra, Horatio Colony, Malcolm Cowley, Richard Eberhart, T. S. Eliot, Jean Garrigue, Erich Heller, Dame Laura Knight, Seymour Lawrence, Malcolm Lowry, Grayson Prevost McCouch, Jay Martin , Henry Alexander Murray, Howard Nemerov, Allen Tate, Kempton Potter Aiken Taylor, Louis Untermeyer, and others. The collection includes: Manuscripts by Conrad Aiken: A wealth of original autograph and typescript drafts is to be found in the collection. The majority consists of manuscripts of poems published in Skylight One (1949), The Divine Pilgrim (1949), A Letter from Li Po (1955), Sheepfold Hill (1955), and The Morning Song of Lord Zero (1963) The Clerk's Journal: Being the Diary of a Queer Man (16 pp.; Jan. 9, 1911), an original autograph manuscript of the poem written for an English course at Harvard University (AIK 2798). The manuscript includes marginal comments by the instructor, Le Baron Russell Briggs, and is accompanied by the proof sheets for the 1971 edition and an early (1970)draft of Aiken's preface, entitled "A Short Memoir of Harvard, Dean Briggs, T. S. Eliot, in 1911" (AIK 3644) The Conversation; or Pilgrim's Progress (226 pp.; ca. 1940), the first type­ script of the novel. AIK 3393 Mr. Arcularis (1946 to ca. 1952), eleven drafts of the short story/play. In 1946 Diana Hamilton's dramatization of Aiken's short story was produced at the Lyric Theatre, Hammersmith, London, under the title Fear No More. Deemed a failure by its producers, the play was revised. Hamilton, however, was suffering from brain cancer, so Aiken made the extensive changes leading to its production at the Arena Stage in Washington, D.C., May 8-27, 1951. Following further revisions, the play was published by Harvard University Press in 1957. The collection also contains four versions of Hamilton's Fear No More. AIK 3774-3784 Nine Poems (9 pp.; 1952), typewritten manuscript with a few autograph corrections of a piece published in the Aiken commemorative issue of Wake, acquired by the Huntington in 1984. AIK 4714 Notebook (one volume; 1911-1925), containing literary notes, addresses, etc. AIK 3588 The Soldier (29 pp.; ca. 1945), the first draft of the poem, written in pencil in a composition book. AIK 3399 Time in the Rock (112 pp.; ca. 1936), the first draft of the poem, typewritten with numerous autograph revisions. AIK 3698 The Tinsel Circuit (33 pp.; 1916), the original version of a group of 19 poems. Aiken published slightly revised versions of the seven poems as "Vaudeville Suite" in the fall, 1955, issue of the Carolina Quarterly. Nine of the poems were later revised extensively and published in The Morning Song of Lord Zero (1963). AIK 3699 Ushant: An Essay (319 pp.; 1951-1952), Aiken's autobiography, the most important item in the collection . This is the first draft, with extensive autograph revisions in ink and pencil. Also, fragmentary notes for the autobiography (eleven pieces; ca. 1946); and Ushant: An Intermediate Fragment (7 pp.; 1952), a typescript draft with autograph corrections of the text published in the Aiken commemorative issue of Wake (acquired by the Huntington in 1984). (Volume 2: AIK 3401); 4187; 4715. II. Manuscripts by others Clarice (Lorenz) Aiken. Lorelei Two (18 pp.), outline of an autobiography by Conrad Aiken's second wife, acquired in 1984. AIK 4765. William Ford Aiken. Eighty-nine manuscripts of poems and essays by Conrad Aiken's father, a Savannah physician, amateur poet, and inventor. Included in his manuscripts is "Isolation," a poem found after the murder- suicide of Dr. Aiken and Anna Aiken (Potter) Aiken. AIK 2917-3003. Malcolm Cowley. "The Blown Door," typescript of poem in letter to Conrad Aiken, Nov. 5, 1955. AIK 327. Graham Greene. Typewritten reviews of Aiken's King Coffin and Great Circle. AIK 3410. Clarence Malcolm Lowry. "Spiderweb," "Alcoholic," "Dark Path," and "Sonnet," four early poems sent to Conrad Aiken, 1929. AIK 2489. ------ "The doom of each, said Doctor Usquebaugh ...," typewritten poem enclosed in a letter to Aiken, Apr. 9, 1940. AIK 2488. "Tom, by airmale," notes for a poem? AIK 2490. ------ Ultramarine (1 volume; ca. 1929), part of an early draft of the novel, with autograph revisions by Aiken. Also, three pages of notes for chapter one, and a single page of an early draft. (Volume 1: AIK 3381). ------ "Work for Conrad" (2 pp.; 1937), four poems written for Aiken. AIK 3418. ------ "To Seymour Lawrence" (16 pp.; Nov. 28- Dec. 4, 1951), corrected typescript of letter about Aiken published in the commemorative issue of Wake, acquired by the Huntington in 1984. AIK 4751. Correspondence Significant correspondents include: Mary Augusta (Hoover) Aiken (b. 1907) is Conrad Aiken's third wife, married in 1937. The collection includes 70 letters and one telegram from Mary to Conrad between 1936 and 1955, the majority written in 1947 while Mary was in Rye, Sussex, England, seeing to the sale of Jeake's House and reporting to Conrad at Forty-one Doors in Brewster, Massachusetts (AIK 3291-3361) . Also included are 190 letters from Conrad to Mary, written from 1936 to 1973, with most again dating from 1947. The lively exchanges provide insight into the Aikens' relationship as well as the details of day-to-day life in Rye and Brewster (AIK 3099-3288). Of special literary interest are Conrad's letters of 1939, which contain drafts of sonnets published in And in the Human Heart. William Ford Aiken (d. 1901). Of the many letters written by Conrad Aiken's father to various family members, the most interesting are 34 sent to his parents while he studied medicine in Europe in 1886-1887 (AIK 2827-2860). Brandt & Brandt, Aiken's American agents. Publishing and related literary business details regarding Aiken's works are covered in 36 letters to Aiken between 1934 and 1976 (AIK 153-180, 1655, 2008-2009, 3405-3406, 3921-3922, 4613) and in one letter to the firm from Aiken in 1958 (AIK 4174). Edward John Burra (1905-1976) , English surrealist painter who lived in Rye and was a close, life-long friend of Aiken's. Their warm, humorous correspondence is replete with personal and social details and anecdotes, covering the period from the 1930s to the 1970s in 200 letters by Burra (AIK 2197-2392, 3940-3942) and 109 by Aiken (AIK 2397, 3097-3098, 4266-4372). The collection also contains 3 letters to Jay H. Martin (AIK 4615-4617) from Burra. Malcolm Cowley (b. 1898). Sixty long, frequently humorous letters written from 1935 to 1973 reflect the warm Cowley-Aiken friendship. Cowley writes thoughtfully and at length on Aiken's poetry and on Ushant, and he records his outspoken comments on many literary matters relating to other authors, such as Faulkner, Hemingway, Eliot, Pound, Randall Jarrell, Delmore Schwartz, Thomas Wolfe, Malcolm Lowry, and others (AIK 328-377, 3969-3978). John Davenport (1908-1966), English reviewer of modern literature. The correspondence includes 18 letters by Davenport, 1935 to 1965 (AIK 392-409). Conrad Aiken's 72 letters, covering the same time period,are especially valuable for details of his literary and other activities during the 1940's (AIK 3789-3859, 4205). Highlights are long references to Malcolm Lowry and Under the Volcano, as well as mention of John Burra, Ezra Pound, and Aiken's Mr. Arcularis. Thomas Stearns Eliot (1888-1965). A fine series of 65 letters, 1914-1963, to Aiken reflecting their close friendship (AIK 485-549). Of particular significance are the revealing and introspective early letters. This correspondence contains verses by the young Eliot, as well as his comments about his own writing and his opinions of Aiken's works. Later letters deal with literary business concerning Aiken's contributions to Criterion. Eleven letters by Valerie (Fletcher) Eliot, 1960-1970, include references to Eliot and Ezra Pound (AIK 550-559, 3987). Maurice Firuski (1894-1978)was a friend and classmate of Aiken at Harvard; in 1919 he became the proprietor of Dunster House Bookshop in Cambridge, Massachusetts, and later of Housatonic Bookshop in Salisbury, Connecticut. The 16 letters from Firuski (AIK 579-593, 3993) and an extraordinary series of 83 letters by Aiken between 1920 and 1973 reveal much concerning Aiken's personal and literary life (AIK 921-1002, 4407). Seymour Lawrence (b. 1926), editor and publisher of Wake, editor at the Atlantic Monthly Press, and founder and president of Seymour Lawrence, Inc. Eight letters (1948-1953) from Lawrence to Conrad and Mary Aiken chiefly concern the 1952 Aiken commemorative issue of Wake (AIK 696-703). A 1984 acquisition brought to the Huntington 33 letters from Aiken to Lawrence, 1952-1953 (AIK 4716-4748), as well as correspondence about the issue from Frederick Newton Arvin, Richard Palmer Blackmur, Archibald MacLeish, Marianne Moore, Walter Piston, and Edmund Wilson. Manuscripts submitted for the issue by Conrad Aiken and Malcolm Lowry are listed above in the Manuscripts section. Robert Newton Linscott (1886-1964), editor at Houghton Mifflin Company and Random House. Of the 40 lively, entertaining letters to Aiken, 1919-1961, those for the 1920s have particular value for the contemporary literary scene (AIK 704-742, 2805). Clarence Malcolm Lowry (1909-1957). The young Lowry became fascinated with Aiken's writing and visited him in Cambridge, Massachusetts, in August, 1929. In that year Aiken became Lowry's guardian, and the two remained close until Lowry's death. The collection contains important files of 53 letters (1929- 1954) from Lowry (AIK 2493-2538, 2540-2546) and 15 letters (1939-1954) written by Aiken (AIK 2549-2562, 4785). The correspondence attests to their long, close friendship and is excellent for personal and literary details of Lowry's life. Grayson Prevost McCouch, "Old Bird," Aiken's classmate from Middlesex School, Concord, and Harvard. Their long friendship is represented in 15 letters (ca. 1925-1977) from McCouch to Conrad and Mary Aiken (AIK 1108-1115, 4062-4067, 4629) and in 53 letters (1911-1973) by Aiken (AIK 4408-4458, 4835, 3875). David Merrill Markson (b. 1927), author and friend of Malcolm Lowry. There are 11 letters from Markson to Conrad and Mary Aiken (1954-1973; AIK 1136-1144, 4069-4070), and in 1984 the collection increased by 45 letters from Aiken to David and Elaine Markson (AIK 4786-4830). Much social and some literary news is recounted, and the early letters contain references to Lowry. Jay H. Martin (b. 1935). After seeking Aiken's advice about writing poetry, Martin became a close friend and later wrote a major critical study of Aiken. The correspondence includes 53 letters by Martin (AIK 1169-1219, 4072-4073) and 101 by Aiken dating from the early 1950s to 1970s and is interesting for Aiken's retrospective comments about his own poetry (AIK 4581-4582, 4482-4578, 4704-4705). John Orley Allen Tate (1899-1979). Personal and literary matters are discussed in 105 letters to Conrad and Mary Aiken written between 1949 and 1973 (AIK 1751-1843, 4132-4136, 4139-4141) and in a 1973 letter from Aiken to Tate (AIK 3876). The Sewanee Review is mentioned, as well as such literary figures as Eliot and Lowry. Kempton Potter Aiken Taylor (b. 1893), Conrad Aiken's brother, adopted in 1901 by Frederick Winslow Taylor. An intimate and revealing look at the brothers is provided in 62 letters (1912-1973) by Taylor (AIK 2878, 1841-1903, 2415-2417, 4144) and 106 letters (1931-1972) by Aiken (AIK 1904-2007, 2144-2145). Louis Untermeyer (1885-1977). These lively, often cordially disputatious letters between Untermeyer and Aiken feature frank and detailed analyses of their own and one another's work. Many other authors and literary matters are also dealt with, energetically and at length, in 52 letters (1919-1973) by Untermeyer (AIK 838-888, 4154) and in Aiken's 20 letters written between 1954 and 1969, acquired by the Huntington in 1982 (AIK 4679-4698). Additional correspondents of note: Leonie (Fuller) Adams, 12 letters and telegrams, 1948-1973. AIK 1-11, AIK 3385. James Agee, 1 letter, 1931. AIK 13. Martin Donisthorpe Armstrong, 5 letters, 1914-1929. AIK 47-51. Gordon Bassett, 5 letters, 1940-1951. AIK 74-78. John Berryman, 3 letters, 1953-1964. AIK 84-86. George Biddle, 7 letters, 1956-1969. AIK 89-94, 3912. Katherine Garrison (Chapin) Biddle, 12 letters, 1952-1973. AIK 2605-2613, AIK 3913-3915. Elizabeth Bishop, 3 letters, 1949-1950. AIK 96-98. Richard Palmer Blackmur, 5 letters, 1931-1961. AIK 100-103, AIK 4750. Rufus Anderson Blanshard, 18 letters, 1956-1973. AIK 104-120, AIK 3916. Maxwell Bodenheim, 7 letters, 1918-1919. AIK 127-133. Alain Bosquet, 9 letters, 1955-1962. AIK 137-145. Douglas Geoffrey Bridson, 16 letters, 1951-1973. AIK 192-204, AIK 3930-3932. Cleanth Brooks, 6 letters, 1953-1956. AIK 209-214. Van Wyck Brooks, 6 letters, 1921-1923. AIK 2625-2629, AIK 4614. Winifred Bryher, 4 letters, 1933-1951. AIK 218-221. Kenneth Duva Burke, 4 letters, 1964-1972. AIK 224-226, AIK 3937. Witter Bynner, 1 letter, 1955. AIK 236. Princess Marguerite Gaetani, 2 letters, 1948? AIK 1728-1729. Gordon Cairnie, 7 letters, 1951-1969. AIK 237-241, AIK 3946-3947. Huntington Cairns, 8 letters, ca. 1949-1973. AIK 242-248, AIK 3948. Horatio Colony, 16 letters, 1935-1973. AIK 292-304, AIK 3961-3963. Cyril Vernon Connolly, 2 letters, 1945-1947. AIK 308-309. Evelyn Dagnall (of A.M. Heath and co.), 12 letters, 1946-1952. AIK 1332-1343. Hilda Doolittle, 11 letters, 1933-1935. AIK 421-431. Edward Doro, 3 letters, 1971-1973. AIK 432-433, 3984. Richard Eberhart, 25 letters, 1943-1951. AIK 446-470. Luther Harris Evans, 5 letters, 1947-1953. AIK 561-565. John Gould Fletcher, 7 letters, 1931-1948. AIK 594-600. Ford Madox Ford, 1 letter, 1931. AIK 607. John Freeman, 6 letters, 1920-ca. 1930. AIK 611-616. Robert Lee Frost, 2 letters, 1922-1923. AIK 619-620. Jean Garrigue, 14 letters, ca. 1949-ca. 1973. AIK 2662-2675. Diana Hamilton, 4 letters, 1946. AIK 1737-1740. A.M. Heath and company, Ltd. (Aiken's English agents), 6 letters, 1947-1957. AIK 649-653, AIK 2680. Erich Heller, 16 letters, 1953-1973. AIK 1012-1025, AIK 4018-4019. Robert Silliman Hillyer, 4 letters, 1930-ca. 1949. AIK 659-662. Catharine Huntington, 7 letters, 1949-ca. 1974. AIK 2706-2709, AIK 4037-4039. Ernst and Eithne (Wilkins) Kaiser, 10 letters, 1954-1964. AIK 2715-2724. Neva Goodwin (Rockefeller) Kaiser, 22 letters, 1966-ca. 1974. AIK 1346-1364. Weldon Kees, 5 letters, 1949-1954. AIK 690-694. Harold and Dame Laura (Johnson) Knight, 25 letters, 1932-1963. AIK 1043, AIK 1045-1069. Alfred Kreymborg, 4 letters, 1919-1922. AIK 2726-2729. Alexis Saint-Leger Leger, 1 letter, 1958. AIK 2733. Amy Lowell, 5 letters, 1921-1922. AIK 744-748. Robert Traill Spence Lowell, 4 letters, 1947-1956. AIK 2735-2738. Archibald MacLeish, 4 letters, 1949-ca. 1955. AIK 750-752, AIK 4752. Katherine Mansfield, 1 letter, 1921. AIK 753. Harold Edward and Alida (Klemantaski) Monro, 10 letters, 1930-1935. AIK 754-763. Marianne Moroe, 6 letters, 1951-1952. AIK 4753-4758. Nicholas Moore, 4 letters, 1942-1947. AIK 1246-1249. Lawrence Quincy Mumford, 5 letters, 1955-1968. AIK 765-769. Lewis Mumford, 5 letters, 1952-1972. AIK 1253-1256, AIK 4080. Henry Alexander Murray, 32 letters, 1931-ca. 1974. AIK 2754, 1257-1284, AIK 4081-4083. Paul Nash, 13 letters, 1934-1945. AIK 2755-2767. Howard Nemerov, 17 letters, 1963-1973. AIK 1296-1311, AIK 4087. Charles Norman, 3 letters, 1945-1961. AIK 770-772. Norreys Jephson O'Conor, 2 letters, 1948-1952. AIK 1382-1383. Oxford University Press, 17 letters, 1949-1973. AIK 1387-1403, AIK 4090-4091. Charles A. Pearce, 7 letters, 1948-1951. AIK 1411-1417. Norman Holmes Pearson, 2 letters, 1952-1971. AIK 773-774. Clover Pertinez, 24 letters, 1948-1971. AIK 1422-1442, 2413-2414, AIK 1443-1448. Charles Horace Philbrick, 31 letters, 1958-1971. AIK 1455-1485. Walter Piston, 7 letters, 1931-ca. 1974. AIK 1491-1496, AIK 4759. Katherine Anne Porter, 1 letter, 1952. AIK 1512. Alfred Claghorn Potter, 27 letters, 1925-1940. AIK 1515-1541. Ezra Loomis Pound, 2 letters, 1914-ca. 1934. AIK 1554-1555. Ivor Armstrong Richards, 9 letters, 1966-1973. AIK 780-783, AIK 4100-4104. Edwin Arlington Robinson, 6 letters, 1922-1923. AIK 1581-1586. Robert Alden Sanborn, 1 letter, 1923. AIK 2782. Mark Scharer, 11 letters, 1946-1973. AIK 790-796, 4109-4112. Delmore Schwartz, 6 letters, 1942-1956. AIK 784-789. Karl Jay Shapiro, 14 letters, 1945-1953. AIK 802-814. Theodore Spencer, 5 letters, 1930-1948. AIK 816-820. Wallace Stevens, 2 letters, 1922-1952. AIK 825-826. John Lincoln and Maire Sweeney, 23 letters, 1955-1975. AIK 1674-1691, AIK 4126-4130. Thurairajah Tambimuttu, 11 letters, 1948-1972. AIK 828-836, AIK 1750, AIK 4131. James Thurber, 2 letters, 1951-1952. AIK 4761-4762. Mark Albert Van Doren, 1 letter, 1951. AIK 4763. Robert Penn Warren, 5 letters, 1960-1970. AIK 899-903. George B. Wilbur, 20 letters, 1922-ca. 1974. AIK 2111-2122, AIK 4162-4169. Oscar Williams, 6 letters, 1941-1964. AIK 905-910. William Carlos Williams, 4 letters, 1919-1952. AIK 911-914. Edmund Wilson, 4 letters, 1951-1954. AIK 916-918, AIK 4764. The collection also includes some audio recordings and films, photographs, ephemera, honorary awards, engagement books, financial records, publishing, theatrical and musical agreements, copies of reviews, and guardianship papers and receipts collected by Aiken's guardian.

  mssAIK 1-4904

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  Elizabeth Jane Howard papers

  Manuscripts

  The collection consists of Elizabeth Jane Howard's manuscripts, correspondence, photographs and ephemera. The manuscripts cover the entire span of her writing career and include her major novels, as well as articles, essays, plays, short stories, book reviews, and interviews. In some cases there are multiple drafts of a work, enabling a researcher to trace Howard's creative process. The correspondence includes personal letters and letters related to Howard's work. The collection holds over 800 photographs and seven boxes of printed ephemera. Notable people in the collection include, among others: Robert Aickman, Kingsley Amis, Martin Amis, Jill Balcon, John Betjeman, Cyril Connolly, Cecil Day Lewis, Daniel Day-Lewis, Louis De Bernières, Robert Fitzroy Foster, Selina Hastings, Laurie Lee, Robert Newton Linscott, Hilary Mantel, John Julius Norwich, Peter Scott, Stephen Spender, Elizabeth Taylor (novelist), and Leonard Woolf. Scope and Content Note -- Part I The papers in Part I consist of the following series: 1. Manuscripts (Boxes 1-21), are arranged alphabetically by author and title. The manuscripts cover a wide span of Elizabeth Jane Howard's literary career, with examples of some of her earliest writing and of articles written as recently as the early 1990s. In some cases there are both manuscript and typewritten versions, as well as initial notes, for a play or novel, which enables a researcher to trace the creative process of writing a work through several stages. Included in this series are: articles, essays, interviews, short stories, plays, book reviews, and novels (in both manuscript and typewritten versions) written by Elizabeth Jane Howard. The series also includes manuscripts by other authors, most notably, Kingsley Amis and Cecil Day Lewis. 2. Correspondence (Boxes 22-57), are arranged alphabetically by author. This series includes personal letters and letters related to Elizabeth Jane Howard's writing. Many of the personal letters were written during the Second World War and discuss life in England during the war. A large number of business letters pertain to the Cheltenham Literary Festival and details relating to the running of the Festival; notable authors in this group of letters are Kingsley Amis, Robert Frost, Agatha Christie, Cecil Day Lewis, John Betjeman, Laurie Lee, Rosamond Lehmann, Iris Murdoch, J.B. Priestley, Siegfried Sassoon, Stephen Spender, Angus Wilson, and Leonard Woolf. Another group of letters are replies to an appeal by Elizabeth Jane Howard to notable British artists, for financial support for Cecil Day Lewis, during his final illness. These letters are subject indexed under the C.D.L. Fund. There is also a large group of letters that were written in response to an article which Elizabeth Jane Howard wrote upon the death of Cecil Day Lewis in 1972, including one letter written by Rosamond Lehmann (EJH 1203), who is highly critical of the article and Elizabeth Jane Howard's memories of the past and Cecil Day Lewis. 3. Oversize Manuscripts and Correspondence (Boxes 58-60), are arranged alphabetically by author. These items were removed from boxes 1-57 so the call numbers are not consecutive. Place holder cards were left in Boxes 1-57 to indicate when an item was removed to an oversize box. 4. Ephemera (Boxes 61-63, Extra Oversize Boxes 64-65), are arranged alphabetically by author and title. The ephemera consists mainly of printed copies of newspaper and magazine articles written by Elizabeth Jane Howard or written about her life and work. There are also several publications dealing with the fortieth anniversary of the Second World War. The Extra Oversize ephemera consists mainly of printed first proofs for articles and book reviews by Elizabeth Jane Howard, many with autograph corrections. Scope and Content Note -- Material Previously Restricted The papers consist of the following series: 1. Manuscripts and Correspondence (Boxes 66-73), arranged alphabetically by author and title. Includes poems by Kingsley Amis and Cecil Day Lewis; the correspondence includes, among others, letters by Kingsley Amis, Cyril Connolly, Cecil Day Lewis, Elizabeth Jane Howard, and Peter Scott. Note: Elspeth Huxley borrowed the Elizabeth Jane Howard and Peter Scott correspondence for a biography on Peter Scott; her autograph notations (mainly dates) appear throughout the letters and envelopes. 2. Oversize Manuscripts and Correspondence (Box 74), arranged alphabetically by author and title; these items were removed from boxes 66-73. Scope and Content Note -- Part II The papers in Part II consist of the following series: 1. Manuscripts (Boxes 75-83), are arranged alphabetically by author and title. The manuscripts include typescripts for the third and fourth books of the Cazalet Chronicle, Confusion (1993) and Casting Off (1995), as well as the typescript for Ms. Howard's novel, Falling (1999); also included in this series are research notes for all three novels. 2. Correspondence (Boxes 84-94), are arranged alphabetically by author. This series includes personal letters, as well as business letters. Many of the letters are from family, friends, and fans congratulating Elizabeth Jane Howard on the publication of various books and discussing their reactions to the books. A significant number of letters, written in May/June 2000, are congratulating Howard upon being awarded the Commander Order of the British Empire (C.B.E.). There are several interesting letters pertaining to Elizabeth Jane Howard's writing in this series. In a letter from Howard to Robert Aickman (EJH 2762), she critiques his writing as well as her own; pointing out they both share and suffer from "a disinclination to attach ourselves to contemporary life" in their writing. There is also a letter from the British writer, Hilary Mantel, to Elizabeth Jane Howard (EJH 2871), describing, in detail, what is good about Howard's writing and why its "luminous quality" has "haunted" her own writing. A third letter, from the actor Paul Scofield to Howard (EJH 2988), explains why he is turning down her offer to play the character of "the Brig" in the television adaptation of the Cazalet Chronicle even though he admires the books and her writing. 3. Ephemera (Box 94), is arranged alphabetically by author and title. The ephemera consists mainly of printed copies of newspaper and magazine articles about Elizabeth Jane Howard, Kingsley Amis, and Howard's novels. There is also an interesting printed biographical booklet (ca. 1972) which includes photographs of Howard, her family, and Amis, published for publicity purposes at the time of Odd Girl Out (folder 54). Scope and Content Note -- Part III The papers in Part III consist of the following series: 1. Manuscripts (Boxes 95-104), are arranged alphabetically by author and title. The manuscripts include previously unpublished poems by Kingsley Amis and Cecil Day Lewis, and an early draft of Maureen Duffy's novel Alchemy. This series also includes drafts of Elizabeth Jane Howard's novel, Love All, and her memoir, Slipstream, as well as various articles, essays, and poems. 2. Correspondence (Boxes 105-124), is arranged alphabetically by author. This series includes mainly personal letters from family and friends. There are a number of early letters, one from Peter Scott to Elizabeth Jane Howard, written during the war in October 1941, a series of letters, written 1948-1954, from Howard to Anthea and James Sutherland, and letters from John Betjeman and Cecil Day Lewis. The majority of the personal letters were written from 1999 to 2009, and many contain congratulations upon the publication of Howard's memoir and the televising of The Cazalet Chronicle and Falling on British and American television. This series includes letters by Maeve Binchy, Louis De Bernières, Selina Hastings, Elspeth Huxley, Verity Lambert, Penelope Lively, Joanna Lumley, Hilary Mantel, John Julius Norwich, and Kristin Scott Thomas. 3. Ephemera (Box 124), is arranged by subject. This material includes printed copies of essays and articles by Elizabeth Jane Howard, artwork, commemorative booklets, menus and invitations. Also included, is a folder of printed material from Howard's investiture in 2000. Scope and Content Note -- Part IV The papers in Part IV consist of the following series: 1. Manuscripts (Boxes 125-138), are arranged alphabetically by author and title. The manuscripts include the novel All Change, the fifth and final volume of the Cazalet Chronicle, radio scripts for "The Cazalets," Percy, an unpublished novel, a revised edition of her memoir Slipstream and various articles, essays, poems and reviews. The series also includes manuscripts by, among others, Andrew Davies, Cecil Day Lewis, Selina Hastings and Hilary Mantel. 2. Correspondence (Boxes 139-156), is arranged alphabetically by author. This series includes personal letters, including a group of letters from Elizabeth Jane Howard to Roland Anthony Oliver written during the Second World War, and letters related to Howard's writing. A large group of letters pertain to Howard's involvement with the charity, Bulgarian Orphans Fund Ltd. Other notable authors in this series are Robert Aickman, Kingsley Amis, Julian Barnes, Sybille Bedford, Julian Lennox Berkeley, Louis De Bernières, Anton Felton, Robert Fitzroy Foster, Selina Hastings, Laurie Lee, Nick McDowell, Hilary Mantel and Kristin Scott Thomas. 3. Photographs (Boxes 157-159), are arranged chronologically (ca. 1925-2013). The photographs cover almost all of Howard's life, her career and her marriage to Kingsley Amis; notable photographers are Antony Armstrong-Jones (Earl of Snowdon) and Cecil Beaton. This series also includes family photos, as well as photos of Peter Scott, Robert Aickman, Jill Balcon, Cecil Day Lewis, Charlie Chaplin, Laurie Lee, Robert and Anthea Sutherland. 4. Volumes (Box 160), are arranged chronologically. The volumes include Elizabeth Jane Howard's 1942 wedding album with 17 B&W photographs, Visitor Books for Lemmons and Bridge House, and Howard's bound Reading List covering the years 2001-2013. 5. Literary Agent and Publishing Correspondence (Box 161), arranged alphabetically by name. This series includes business correspondence, contracts and printed material for Jonathan Clowes Ltd., and various publishers including, among others, BBC, Daily Express, Macmillan London/Pan Macmillan, Oxford University Press, The Times, Viking Press/Viking Penguin and Virago Press. 6. Computer Printed Manuscripts by Howard and Others; Bulgarian Orphans Fund Material (Boxes 162-166), arranged alphabetically by author and title. This material includes manuscripts produced on the computer and include Howard's novels All Change and "Percy," her memoir Slipstream and her gardening articles for Woman's Journal, as well as printed manuscripts, a dissertation, and a thesis by other authors. This series also includes correspondence and material related to the Bulgarian Orphans Fund Ltd., fund-raising luncheons. 7. Ephemera (Boxes 167-170), is arranged by author and title. This series includes printed articles by Elizabeth Jane Howard; also printed articles and interviews about Howard and her works. This series also includes printed material about, among others, Kingsley Amis, Sybille Bedford, Inland Waterways Association, Pat Kavanagh and Wayland Kennet. Box 169 contains audio cassettes, a VHS cassette, CDs, DVDs and thumb drives and Box 170 contains passports and daily diaries.

  mssEJH 1-5257