Books by Fellows

In this groundbreaking work of cultural history, Alice Fahs explores a little-known and fascinating side of the Civil War—the outpouring of popular literature inspired by the conflict. From 1861 to 1865, authors and publishers in both the North and the South produced a remarkable variety of war-related compositions, including poems, songs, children’s stories, romances, novels, histories, and even humorous pieces. Fahs mines these rich but long-neglected resources to recover the diversity of the war’s political and social meanings.

The right of neutrality; to live in peace from the imperial wars waged between France and England; had been one of the founding values of Acadia. But the Acadians’ refusal to swear unconditional allegiance to the British Crown in the mid-eighteenth century gave New Englanders, who had long coveted Nova Scotia’s fertile farmland, pretense enough to launch a campaign of ethnic cleansing on a massive scale. John Mack Faragher draws on original research to weave 150 years of history into a gripping narrative of both the civilization of Acadia and the British plot to destroy it.

With rigorous research and unprecedented insight into Robert E. Lee’s personal and public lives, Michael Fellman here uncovers the intelligent, ambitious, and often troubled man behind the legend, exploring his life within the social, cultural, and political context of the nineteenth-century American South.

In the eleventh century, the Bible was available only in expensive and rare hand-copied manuscripts. Today, millions of people from all walks of life seek guidance, inspiration, entertainment, and answers from their own editions of the Bible. This illustrated book tells the story of what happened to the ancient set of writings we call the Bible during those thousand years.

In the years just before the Civil War, during the most intensive phase of American slave-trade suppression, the U.S. Navy seized roughly 2,000 enslaved Africans from illegal slave ships and brought them into temporary camps at Key West and Charleston. In this study, Sharla Fett reconstructs the social world of these “recaptives” and recounts the relationships they built to survive the holds of slave ships, American detention camps, and, ultimately, a second transatlantic voyage to Liberia.

In Worlds Beyond, Laura Forsberg reads major works of fiction by George Eliot, Jane Austen, Charles Dickens, and Lewis Carroll alongside minor genres like the doll narrative, fairy science tract, and thumb Bible.

Situating the theater as a site of broad cultural movements and conflicts, Lisa A. Freeman asserts that antitheatrical incidents from the English Renaissance to present-day America provide us with occasions to trace major struggles over the nature and balance of power and political authority.

By the early 1800s, anywhere between one-third and one-half of all naval seamen serving in the North Atlantic had participated in at least one mutiny, many of them in several, and some even on ships in different navies. In The Bloody Flag, historian Niklas Frykman explores in vivid prose how a decade of violent conflict onboard gave birth to a distinct form of radical politics that brought together the egalitarian culture of North Atlantic maritime communities with the revolutionary era’s constitutional republicanism.

Migrants made up a growing class of workers in late sixteenth- and seventeenth- century England. In fact, by 1650, half of England’s rural population consisted of homeless and itinerant laborers. Unsettled is an ambitious attempt to reconstruct the everyday lives of these dispossessed people. Patricia Fumerton offers an expansive portrait of unsettledness in early modern England that includes the homeless and housed alike.

In its 17th-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive—individual elements migrated freely from one broadside to another—some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to create the English Broadside Ballad Archive.

This volume explores the Shenandoah Valley campaign, best known for its role in establishing Thomas J. “Stonewall” Jackson’s reputation as the Confederacy’s greatest military idol. The authors address questions of military leadership, strategy and tactics, the campaign’s political and social impact, and the ways in which participants’ memories of events differed from what is revealed in the historical sources.

One of the most celebrated women of her time, a spellbinding speaker dubbed the Queen of the Lyceum and America’s Joan of Arc, Anna Elizabeth Dickinson was a charismatic orator, writer, and actress, who rose to fame during the Civil War and remained in the public eye for the next three decades. J. Matthew Gallman offers the first full-length biography of Dickinson to appear in over half a century.

How did England go from a position of inferiority to the powerful Spanish empire to achieve global pre-eminence? In this important second book, Alison Games, a colonial American historian, explores the period from 1560 to 1660, when England challenged dominion over the American continents, established new long-distance trade routes in the eastern Mediterranean and the East Indies, and emerged in the 17th century as an empire to reckon with.

In its 17th-century heyday, the English broadside ballad was a single large sheet of paper printed on one side with multiple woodcut illustrations, a popular tune title, and a poem. Inexpensive, ubiquitous, and fugitive—individual elements migrated freely from one broadside to another—some 11,000 to 12,000 of these artifacts pre-1701 survive, though many others have undoubtedly been lost. Since 2003, Patricia Fumerton and a team of associates at the University of California, Santa Barbara have been finding, digitizing, cataloging, and recording these materials to create the English Broadside Ballad Archive.

The English Conquest of Jamaica presents entrenched imperial fantasies confronting Caribbean realities. It captures the moment when the revolutionary English state first became a major player in the Atlantic arena.

This unique critical edition presents key early biographical accounts of the life and work of Galileo Galilei (1564–1642), written by his close contemporaries. 

Militarizing Outer Space explores the dystopian and destructive dimensions of the space age and challenges conventional narratives of a bipolar Cold War rivalry. Concentrating on weapons, warfare and vio​lence, this provocative volume examines real and imagined endeavors of arming the skies and conquering the heavens. The third and final volume in the groundbreaking ​European Astroculture trilogy, ​Militarizing Outer Space zooms in on the interplay between security, technopolitics and knowledge from the 1920s through the 1980s. Often hailed as the site of heavenly utopias and otherworldly salvation, outer space transformed from a promised sanctuary to a present threat, where the battles of the future were to be waged. Astroculture proved instrumental in fathoming forms and functions of warfare’s futures past, both on earth and in space. The allure of dominating outer space, the book shows, was neither limited to the early 21st-century nor to current American space force rhetorics.

Propels the historicization of outer space by focusing on the 1970s, the Post-Apollo era of crisis and reconfiguration, utilizes an international and transdisciplinary perspective to explore the cultural history of outer space, and explores the reconfiguration of space imaginaries during the decade after the moon landings.

Aesthetic Materialism: Electricity and American Romanticism focuses on American romantic writers’ attempts to theorize aesthetic experience through the language of electricity. In response to scientific and technological developments, most notably the telegraph, eighteenth- and nineteenth-century electrical imagery reflected the mysterious workings of the physical mind as well as the uncertain, sometimes shocking connections between individuals.

For many, the term “neoclassicism” has come to imply discipline, order, restraint, and a certain myopia. Leaving the term behind, this book radically challenges enduring assumptions about the art produced from the late 18th century to the early Victorian period, casting new light on appropriations of the classical body by British artists.

Since the first English settlers landed at Jamestown with the legacy of centuries of European warfare in tow, the military has been an omnipresent part of America. In The American Military: A Concise History, Joseph T. Glatthaar explores this relationship from its origins in the thirteen colonies to today’s ongoing conflicts in the Middle East.

What did it mean to be a scientist before the profession itself existed? Jan Golinski finds an answer in the remarkable career of Humphry Davy, the foremost chemist of his day and one of the most distinguished British men of science of the nineteenth century.

Enlightenment inquiries into the weather sought to impose order on a force that had the power to alter human life and social conditions. British Weather and the Climate of Enlightenment reveals how a new sense of the national climate emerged in the eighteenth century from the systematic recording of the weather, and how it was deployed in discussions of the health and welfare of the population.

Kevis Goodman traces connections between georgic verse and developments in other spheres that were placing unprecedented emphasis on mediation from the late seventeenth to early nineteenth centuries. She expands the subject of the Georgic to broader areas of literary and cultural study—including the history of the feelings, print culture, and early scientific technology. Goodman maintains that the verse form presents ways of perceiving history in terms of sensation, rather than burying history in nature, an approach more usually associated with Romanticism.

In Dillinger’s Wild Ride, Elliott J. Gorn provides a riveting account of the year between 1933 and 1934, when the Dillinger gang pulled over a dozen bank jobs and stole hundreds of thousands of dollars. As Dillinger’s wild year unfolded, the tale grew larger and larger in newspapers and newsreels, and even today, Dillinger is the subject of pulp literature, serious poetry and fiction, and film. Gorn illuminates the significance of Dillinger’s tremendous fame and the endurance of his legacy, arguing that he represented an American fascination with primitive freedom against social convention.

Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. 

During the course of his short but extraordinary life, John Ledyard (1751–1789) came in contact with some of the most remarkable figures of his era: the British explorer Captain James Cook, American financier Robert Morris, Revolutionary naval commander John Paul Jones, Benjamin Franklin, Thomas Jefferson, and others. Ledyard lived and traveled in remarkable places as well, journeying from the New England backcountry to Tahiti, Hawaii, the American Northwest coast, Alaska, and the Russian Far East. In this engaging biography, the historian Edward Gray offers not only a full account of Ledyard’s eventful life but also an illuminating view of the late eighteenth-century world in which he lived.

Playing It Straight: Art and Humor in the Gilded Age offers a stunning new look at late-nineteenth-century American art, and demonstrates the profound role humor played in determining the course of culture in the Gilded Age.

This pathbreaking collection of original essays surveys an important but neglected topic: anonymous publication in England for the Elizabethan age to the present. An impressive group of scholars analyzes a wide range of literary phenomena. The editor’s introduction places the essays within the context of the historical trajectory of anonymous authorship.