Watch, Read, Listen

Mary Shelley likened the writing of her famous book to Victor Frankenstein’s making of his creature. In this lecture, James Chandler, professor at the University of Chicago and The Huntington’s R. Stanton Avery Distinguished Fellow, explores Shelley’s “creature,” in what is now one of the most widely-read novels in the English-speaking world. Frankenstein, or The Modern Prometheus inspired many offspring in the form of myriad adaptations since its initial publication, including more than a century of screen adaptations. What can we learn about these various adaptations by looking at their different ways of handling Shelley’s novel? What can we learn about Shelley’s novel from this remarkably rich adaptation history?

Authors Kristen Case, Gerald Early, Pico Iyer, and Megan Marshall in conversation with Karla Nielsen, Curator of Literary Collections at The Huntington

Spring 2020 and the onset of a global pandemic saw many writers returning to Henry David Thoreau’s Walden for guidance for living in a constricted space and with a reduced footprint. Beginning on July 4, 1845, Thoreau moved into a cabin on Walden Pond for two years, two months, and two days. He chronicled the experience, first in his diary and later in a long essay: Walden, or Life in the Woods which was published in 1854.

Now Comes Good Sailing, a volume of essays edited by Andrew Blauner, coming out from Princeton University Press in October 2021, explores the ongoing resonance of Thoreau’s groundbreaking work of observation and reflection. The volume takes its title from the last four words that Thoreau wrote in his diary.

Four of the contributors to the volume join us in conversation for this Shapiro Center event moderated by Karla Nielsen, Curator of Literary Collections at The Huntington. Dr. Nielsen will also show images of The Huntington’s seven drafts of Walden.

Amy McNair, professor of Chinese art at the University of Kansas, explores the calligraphy found in the Lingering Garden in Suzhou, a famous setting for two outdoor formats of calligraphy. Plaques written by friends of the owner identify places and views within the garden, while engraved stone slabs display the owner’s collection of antique calligraphy examples.