This exhibition features fifteen rarely seen works by marine artists such as John Thomas Serres, Charles Bentley, and Samuel Owen. From documentary records of important battles to dramatic, romantic views of wind-tossed ships, the images reveal a nation passing from the threat of war to command a prosperous peace.
A Strange and Fearful Interest is drawn exclusively from The Huntington's collection of photographs related to the Civil War, offering an unprecedented opportunity to bring this rare and evocative material to light.
"A Just Cause: Voices of the American Civil War" explores the war-time debate on the causes and mission of "this cruel war." The debate that began long before the first shots were fired at Fort Sumter became increasingly fierce as the war raged on and casualties on both sides piled up.
Between September 1933 and March 1934, American artist Marsden Hartley (1877-1943) traveled to Germany. First landing in Hamburg, he wended his way south to Garmisch-Partenkirchen, a village in the Bavarian Alps, producing works that captured the spare geometries of the surrounding mountains.
"Roger Medearis: His Regionalism," is an exhibition that runs from June 16 through Sept. 17 in the Chandler Wing of the Virginia Steele Scott Galleries. Drawing on the generous gifts made to The Huntington by Elizabeth Medearis, his widow, loans from private collections, and a painting borrowed from the Smithsonian, the exhibition features 36 works that demonstrate the breadth of his career.
As the culmination of a semester course on English cultural history, students from Claremont McKenna College contributed to this exhibition on 16th- and 17th-century portrait drawings.
A 17th-century portrait of Jean de Thévenot by Philippe de Champaigne, one of France's most important Baroque painters, is the centerpiece of a small, focused exhibition exploring themes of cultural exchange in the 16th and 17th centuries.
Drawn from the Library's splendid holdings about railroading in America, the exhibit will remind viewers that the monumental achievement of spanning the continent was not merely a story of high adventure in the trans-Mississippi West but an epic of national development that unfolded during much of the 19th century.
The exhibition traces his career through a display of columns, letters, photographs, and memorabilia, including some special items borrowed for the show.
Few things provide a clearer picture of an ancient civilization than the study of its material culture: the objects a society created, used, and valued. For certain scholars of Chinese culture, the broad sweep of history can be found reflected in a particularly beautiful art form: exquisitely crafted mirrors made of bronze.