Opening Hours
Daily: 10 A.M.–5 P.M.
Closed on Tuesdays
1151 Oxford Road
San Marino, CA 91108
Throughout the panels, Wang has depicted water, a resource that is essential to all life but that is increasingly threatened by human activity. In homage to the silkworms that produced the panels’ silk, he has pictured a mulberry tree with silkworms feeding on the tree’s leaves, their primary source of nourishment. Rabbits and ducks allude to the other creatures with whom we share our planet.
On the gallery’s walls, visitors find excerpts from the writings of classical Chinese philosophers and poets, including Confucius (trad. 551–479 BCE), Laozi (6th century BCE), and Zhuangzi (4th century BCE). Many of the passages refer to the ancient Chinese concept of guan—to observe and appreciate nature by emptying the mind and allowing the natural world to enter. The excerpts are reproduced from Wang’s own calligraphy.
In the end, the exhibition encourages visitors to reflect on themselves, their environment, and their place therein. An audio interview with Wang and a digital brochure, which features his notes on creating the panels, offer insights into his artistic process and inspirations.

Wang Mansheng.
| © 2018 Wang Mansheng. Image courtesy of the artist. The Huntington Library, Art Museum, and Botanical Gardens.In this recorded conversation, artist Wang Mansheng joined curator Phillip Bloom to discuss the ideas and inspirations underlying “Without Us.”
Artist Wang Mansheng discusses his immersive installation “Without Us,” which combines contemporary art and classical Chinese conceptions of nature to explore the interconnectedness of all living things.
Wang Mansheng (born 1962, Taiyuan, Shanxi Province, China) is a New York–based artist whose work merges traditional Chinese painting with contemporary art. He often crafts his own tools and materials—including reed brushes and ink made from black walnuts—to add texture and depth to his pieces. His artistry is showcased throughout The Huntington’s Chinese Garden. He created the designs for the two carved pictorial tiles on either side of the entrance to the Studio for Lodging the Mind. On a nearby rock, a striking blue inscription that reads “Garden of the Arts” (藝苑 Yi Yuan) highlights his distinctive calligraphy.
This exhibition is generously supported by the Cheng Family Foundation and June and Simon K.C. Li.