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San Marino, CA 91108
Co-curated by Josh Garrett-Davis, the H. Russell Smith Foundation Curator of Western American History, and Linde B. Lehtinen, the Philip D. Nathanson Senior Curator of Photography, the exhibition’s highlights include:
Title: Noni Olabisi: Troubled Island
This short documentary film explores the mural Troubled Island, created by artist Noni Olabisi (1954-2022) with assistance from Charles “Boko” Freeman. The painting interprets the 1949 opera of the same title, composed by William Grant Still with a libretto by Langston Hughes, and it occupies a 100-foot wall on the side of the William Grant Still Arts Center (WGSAC) in Los Angeles’ West Adams neighborhood. Troubled Island dramatizes the Haitian Revolution through the life of Haiti’s first emperor, Jean-Jacques Dessalines, and links the Caribbean struggle for freedom with that of the United States.
Directed by Desha Dauchan
Featuring interviews with Noni Olabisi’s son, Oronde Spears; WGSAC director Amitis Motevalli; UC Irvine historian Felix Jean-Louis; and Huntington curator Armando Pulido
Created in association with the exhibition “This Land Is …” at The Huntington, June 14, 2026-January 11, 2027
The exhibition is part of The Huntington’s sweeping, multiyear THIS LAND IS … initiative, which invites visitors to reflect on the American story through the lens of land. Anchored by the phrase “Reflections for America at 250,” the initiative draws on The Huntington’s library, art, and botanical collections to reveal layered, multidisciplinary narratives about the relationship between people, place, and nation.
This exhibition is generously sponsored by Hahn & Hahn LLP.
Funding for this exhibition is provided by the Douglas and Eunice Erb Goodan Endowment. Additional funding is provided by The Shapiro Center for American History and Culture, the Robert F. Erburu Exhibition Endowment, the Steinmetz Foundation, The Ahmanson Foundation Exhibition and Education Endowment, The Gladys Krieble Delmas Foundation, The Melvin R. Seiden-Janine Luke Exhibition Fund in memory of Robert F. Erburu, and the Boone Foundation.
This exhibition is part of The Huntington’s THIS LAND IS … initiative, which is made possible through major support from The Fletcher Jones Foundation and Stewart R. Smith, Robin A. Ferracone, Logan Smith, and Tracy Beetler through The H. Russell Smith Foundation. Generous support for this initiative is also provided by LeeAnn and Ronald Havner through the JCS Foundation.
The Huntington holds six rare printings of the Declaration of Independence produced within five weeks of July 4, 1776—an unmatched West Coast collection that reveals how the Declaration was printed, circulated, read, debated, and used during the founding months of the United States.

What can Langston Hughes, giant sequoias, the Declaration of Independence, and Woody Guthrie’s guitar reveal about the American story? “This Land Is …” curators Josh Garrett-Davis and Linde B. Lehtinen explore how the exhibition balances clear-eyed histories with hope for what America can become.

In July 1776, the Second Continental Congress considered it imperative that the official text of the Declaration of Independence be disseminated as quickly and widely as possible.

In September 1758, the 62-year-old Lt. Col. Conrad Weiser (1696–1760), a veteran Indian interpreter, recorded a speech delivered by a man whose name he rendered as Ackowano Thio, or Ackowanothio.