Andrew Raftery: The Autobiography of a Garden

Jan. 18, 2020–Jan. 4, 2021 | American artist Andrew Raftery's series of twelve plates charts the evolution of the garden he planted in Providence, Rhode Island, as it grew and changed over the course of a calendar year.
Andrew Raftery, August: Deadheading, 2009-2016, engravings transfer printed on glazed white earthenware, diameter: 12 1/2 in. (31.8 cm.) The Huntington Library, Art Museum, and Botanical Gardens. Purchased with funds from Richard Benefield and John F. Kunowski © Andrew Raftery

Andrew Raftery, August: Deadheading, 2009-2016, engravings transfer printed on glazed white earthenware, diameter: 12 1/2 in. (31.8 cm.) The Huntington Library, Art Museum, and Botanical Gardens. Purchased with funds from Richard Benefield and John F. Kunowski © Andrew Raftery

Andrew Raftery, December: Contemplating the Snow, 2009-2016, engravings transfer printed on glazed white earthenware, diameter: 12 1/2 in. (31.8 cm.) The Huntington Library, Art Museum, and Botanical Gardens. Purchased with funds from Richard Benefield and John F. Kunowski © Andrew Raftery

Andrew Raftery, December: Contemplating the Snow, 2009-2016, engravings transfer printed on glazed white earthenware, diameter: 12 1/2 in. (31.8 cm.) The Huntington Library, Art Museum, and Botanical Gardens. Purchased with funds from Richard Benefield and John F. Kunowski © Andrew Raftery

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American artist Andrew Raftery's series of twelve plates charts the evolution of the garden he planted in Providence, Rhode Island, as it grew and changed over the course of a calendar year. The designs are based on Raftery's drawings and paintings, which were then engraved on a copper sheet and printed onto special decals that he laid on each plate, transferring the image. The technique of transferring a printed image onto ceramic was first developed in England around 1750 and remained popular into the twentieth century. British transfer ware plates often feature landscapes in the center reserve surrounded by intricate decorative borders. Raftery's fascination with these richly detailed objects, which he collects, stems from childhood memories of a table service his family owned. With their attention to pattern and line, his designs echo these historic objects.