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This list of books was compiled by the curators of the exhibition “Storm Cloud: Picturing the Origins of Our Climate Crisis,” on view Sept. 14, 2024–Jan. 6, 2025. Titles are listed below in chronological order by publish date.
In the nineteenth century, some creative writers were apprehensive about the changes industrialization wrought on everyday life. They wrote fictions that imagined possible futures that might result from emerging technologies. Some of these speculative fictions were utopian, others dystopian. You can see early and first editions of these books on view in the exhibition. Many of these have been digitized and are available to read for free on Project Gutenberg.
Samuel Butler, Erewhon; Or, Over the Range, 1872
The name of the realm in which the novel is set, Erewhon, is an anagram for “nowhere.” The novel begins as an adventure story, using the convention of travel in an imaginary country. To the story’s narrator, Erewhon at first seems utopian in its disregard for money—which lends status but has no purchasing value—and machines—which have been outlawed as dangerous competitors in the struggle for existence. Erewhon has also declared disease a crime for which the sick are imprisoned, and crime is considered a disease for which criminals are sent to the hospital. As the unnamed narrator further examines the institutions of Erewhon, his illusions of utopia and eternal progress are stripped away. (britannica.com)
Richard Jefferies, After London; Or, Wild England, 1885
After some sudden and unspecified catastrophe has depopulated England, the countryside reverts to nature, and the few survivors to a quasi-medieval way of life. Beginning with a loving description of nature reclaiming England —fields becoming overrun by forest, domesticated animals running wild, roads and towns becoming overgrown, the hated London reverting to lake and poisonous swampland—the rest of the story is an adventure set many years later in the wild landscape. (google.com/books)
W. H. Hudson, A Crystal Age, 1887
The narrator, Smith, regains consciousness buried under earth and entangled in plant roots. Upon extricating himself, he encounters a peculiar funeral procession and is struck by the beauty of a grieving girl named Yoletta. Integrating into their utopian society, he struggles with cultural misunderstandings and unrequited love for Yoletta, who is actually much older than she appears. ()
William Morris, News from Nowhere; Or, An Epoch of Rest, 1890
In the novel, the narrator, William Guest, falls asleep after returning from a meeting of the Socialist League and awakes to find himself in a future society based on common ownership and democratic control of the means of production. In this society there is no private property, no big cities, no authority, no monetary system, no marriage or divorce, no courts, no prisons, and no class systems. This agrarian society functions simply because the people find pleasure in nature, and therefore they find pleasure in their work. (wikipedia.org)
John Jacob Astor, A Journey in Other Worlds: A Romance of the Future, 1894
This story offers a fictional account of life in the year 2000. It contains abundant speculation about technological invention, including descriptions of a worldwide telephone network, solar power, air travel, space travel to the planets Saturn and Jupiter, and terraforming engineering projects — damming the Arctic Ocean, and an adjustment of the axial tilt of the Earth (Terra) by the Terrestrial Axis Straightening Company. (wikipedia.org)
H. G. Wells, The Time Machine, 1895
Wells advanced his social and political ideas in this narrative of a nameless Time Traveller who is hurtled into the year 802,701 by his elaborate ivory, crystal, and brass contraption. The world he finds is peopled by two races: the decadent Eloi, fluttery and useless, are dependent for food, clothing, and shelter on the simian subterranean Morlocks, who prey on them. The two races—whose names may be borrowed from the biblical Eli and Moloch—symbolize Wells’s vision of the eventual result of unchecked capitalism: a neurasthenic upper class that would eventually be devoured by a proletariat driven to the depths. (britannica.com)
M. P. Shiel, The Purple Cloud, 1901
Adam Jeffson, a man on a polar expedition, discovers a mysterious and deathly Purple Cloud. In the wake of the massive global deaths wrought by the Purple Cloud, Jeffson becomes ruler of the world and builds a huge palace to his glory. He meets a young woman and the two become the heirs to the future of humanity. (wikipedia.org)
Picturing the Origins of Our Climate Crisis
Sept. 14, 2024–Jan. 6, 2025 | “Storm Cloud” analyzes the impact of industrialization and a globalized economy on everyday life from 1780 to 1930, as charted by scientists, artists, and writers, and contextualizes the current climate crisis within this historical framework.

Most guests who visit the Botanical Gardens at The Huntington appreciate their beauty, but there is much more to them than meets the eye. Our living plant collection is both regionally and globally diverse. Thousands of the species in our care are not found in any other botanical garden.

In this lecture video, Gabriela Soto Laveaga, professor of the history of science at Harvard University and Dibner Distinguished Fellow, examines Mexico’s pivotal role in addressing global hunger in the mid-20th century, revealing the significant but often overlooked consequences that continue to haunt us today.

Azby Brown, author of Just Enough: Lessons from Japan for Sustainable Living, Architecture, and Design, examines what it is like to live in a fully sustainable society.
The exhibition has been made possible with support from Getty through its PST ART: Art & Science Collideinitiative.
Southern California’s landmark arts event, PST ART, returned in September 2024 with more than 70 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science, both past and present. PST ART is presented by Getty. For more information, visit PST ART: Art & Science Collide