One of the most iconic paintings in British and American history, The Blue Boy, made around 1770 by English painter Thomas Gainsborough (1727-1788), is undergoing its first major conservation treatment since its acquisition in 1921.
Architectural historian Barbara Lamprecht explores a little known but key aspect of Richard Neutra's unique contribution to architecture: designing environments that fused constructions and site to create "soul anchorages" or "habitats." Renowned for his sleek interpretations of Modernism, Neutra's first job after World War I was as a gardening assistant to one of Switzerland's most famous early purveyors of Modern landscape design. Neutra later integrated his knowledge of plants with ideas about evolutionary biology's role in human well-being. The program is presented as part of the California Garden & Landscape History Society Lecture Series.