Left to right: Alex Israel, Self Portrait (Dodgers), 2014‒2015, acrylic and bondo on fiberglass, 96 × 84 × 4 in. Collection of the artist. Photo: Joshua White; Grand hallway of the Huntington Art Gallery. Photo: Tim Street-Porter.
Alex Israel's Sky Backdrop, 2015, behind Sèvres biscuit porcelain figures atop an 18th-century French table. Photo by Fredrik Nilsen, courtesy of The Huntington.
Installation view (L-R): Alex Israel, Self-Portrait (Selfie and Studio Floor), 2014; Thomas Hudson, Lady Frances (Finch) Courtenay, ca.1741; Anthony van Dyck, Anne Kirke, ca.1637; Peter Lely, Lady Essex Finch, ca. 1675; Alex Israel, Self-Portrait (Signature), 2014. Photo by Fredrik Nilsen, courtesy of The Huntington.
Alex Israel's Untitled (Flat) gives Jean-Antoine Houdon's Diana chasseresse (Diana the Huntress), ca. 1782, the star treatment. Photo by Fredrik Nilsen, courtesy of The Huntington.
Alex Israel's site-specific mural, In-N-Out, 2015. Photo by Fredrik Nilsen, courtesy of The Huntington.
Alex Israel's Self-Portrait (Wetsuit), 2015, among 18th-century French tapestries in the Large Library. Photo by Fredrik Nilsen, courtesy of The Huntington.
Installation of Alex Israel's Sky Backdrop Mural, 2015, in the main hallway of the Huntington Art Gallery. Photo by Fredrik Nilsen, courtesy of The Huntington.
Alex Israel's Maltese Falcon, 2013, among Renaissance bronze sculptures. Photo by Fredrik Nilsen, courtesy of The Huntington.
Alex Israel's The Bigg Chill, 2013, among a selection of 18th-century French faience pieces. Photo by Fredrik Nilsen, courtesy of The Huntington.
“Alex Israel at The Huntington” will be on view Dec. 12, 2015 - July 11, 2016
Press Preview Fri., Dec. 11, 10 a.m. - noon
SAN MARINO, Calif. —The Huntington Library, Art Collections, and Botanical Gardens announced today that it will stage an intervention in its historic Huntington Art Gallery of works by Alex Israel, one of the most recognizable emerging artists on the contemporary art stage. “Alex Israel at The Huntington,” on view Dec. 12, 2015, through July 11, 2016, will integrate a significant group of Israel’s works—including paintings (freestanding and mural) and sculpture in sizes ranging from five inches to 16 feet—throughout the Beaux Arts building that once served as the residence of Gilded Age collectors Henry E. and Arabella Huntington and, for the past eight and a half decades, as the gallery for a priceless European art collection.
“More than just a showcase for Alex’s work, this exhibition is intended to spark a dialogue between the new and the old—the one informing the other—that is both a provocation and a love letter,” said Kevin Salatino, Hannah and Russel Kully Director of the Art Collections at The Huntington. “Alex’s practice addresses celebrity culture and the iconography of L.A. through the conceptual lens of Warhol and Duchamp. The staging of his work within the historic mansion—the paradigmatic Hollywood set and home of the ‘painted’ celebrity, Thomas Gainsborough’s Blue Boy—will create a stimulating discourse on place and identity, two things fundamental to understanding Henry Huntington’s own love affair with Southern California, a region whose identity he helped forge.”
The Huntington Art Gallery opened to the public in 1928—one of the first art museums in Los Angeles—displaying one of the most distinguished collections of 18th-century British paintings in the nation along with glittering examples of French decorative art and a small but critically lauded group of Renaissance works.
Born and raised in Los Angeles, Israel (b. 1982) has been visiting The Huntington since childhood. Several of the works on view in “Alex Israel at The Huntington” will have been created exclusively for the project—his first museum exhibition in L.A.
Exhibition Highlights
The works in “Alex Israel at The Huntington,” all dated between 2012 and 2015, will be seeded throughout the Gallery’s two stories. Examples of the intervention include the artist’s most recent sculpture, the ghostly, life-sized Self-Portrait (Wetsuit) (painted aluminum) installed in the large library, and Risky Business (crystal mounted on black glass base), an homage to a significant prop in the 1983 Tom Cruise film, placed on the mantel of the Huntingtons’ stately dining room in dialogue with the room’s elaborate18th-century crystal chandelier.
The Gallery’s grand double staircase framing views of formal gardens will become the location for a site-specific scenic-painting intervention, transforming the central interior wall of the mansion into a sort of enormous, fragmented sky.
Just outside the Thornton Portrait Gallery (where The Blue Boy hangs) will be three grand-manner-sized Israel self-portraits (acrylic and bondo on fiberglass), one depicting the artist in a blue satin L.A. Dodgers’ starter jacket reminiscent of Blue Boy’s iconic suit. Israel’s portraits are intended to complement—and comment on—the grand gallery, which is filled with 17th- and 18th-century portraits of famous figures of the British noble class as well that of Sarah Siddons, the great actress and celebrity of 18th-century London.
Upstairs, Israel’s monumental painting Sky Backdrop will be installed among 18th-century Beauvais tapestries; and the permanent installation of Renaissance bronze sculptures will make room for Israel’s Maltese Falcon (cast bronze with black patina), while a room hung with works of art related to the Grand Tour will include Desperado—an acrylic-on-bronze, souvenir-like sculpture depicting a vintage convertible in a desert setting.
One of the most dramatic installations will feature The Huntington’s masterpiece of the French Enlightenment, Jean-Antoine Houdon’s life-size bronze Diana, behind which Israel’s Untitled (Flat)—a starburst-shaped work, constructed like a set-piece, coated in stucco, and painted in hues of gold, pink, and orange—will hang. Opposite Diana, one of Israel’s brilliantly-colored monumental sunglass lens sculptures will be installed, “slyly referencing the goddess of the hunt,” according to Salatino.
Finally, an entire upstairs gallery will be devoted to a site-specific mural of plants from The Huntington’s botanical gardens.
“Most everyone who comes to the Huntington Art Gallery is instantly struck by the richness of the collection and the magnificence of the setting,” said Catherine Hess, chief curator of European art at The Huntington and co-curator with Salatino of the exhibition. “But it is our job to bring all this alive in creative ways and, from time to time, to offer new ways of looking at these great works. Placing Alex’s art among The Huntington’s European collections will turn a visit to our familiar rooms into a treasure hunt of surprises.”
Exhibition catalog
In conjunction with the exhibition, The Huntington will publish a catalog in the spring of 2016, also titled Alex Israel at The Huntington. Lavishly illustrated with installation photographs by Fredrik Nilsen, the book will include two scholarly essays: one by art critic, novelist, and filmmaker Chris Kraus, and the other by Los Angeles art writer, educator, and curator Jan Tumlir—as well as an interview with Israel by Kevin Salatino, Hannah and Russel Kully Director of the Art Collections at The Huntington.
Decorating the Holiday Tree
This year, The Huntington’s annual holiday tree, which traditionally stands at the base of the grand staircase in the Huntington Art Gallery, will be decorated by Alex Israel. The installation will go on view Wednesday, Dec. 2, 2015. The Huntington has invited artists and designers to decorate the tree for the past two years.
About Alex Israel
Alex Israel earned a bachelor’s degree from Yale University and a master’s of fine arts from the University of Southern California. Some of his most notable exhibitions include “Alex Israel” at Le Consortium, Dijon, 2013; “Lens” at LAXART, 2013; and “The Los Angeles Project” at the Ullens Center for Contemporary Art, Beijing, 2014. His work currently is the subject of “Sightings: Alex Israel” (Oct. 24, 2015 – Jan. 31, 2016) at the Nasher Sculpture Center, Dallas. His first feature film, “SPF-18,” is currently in production. Israel is also founder and president of Freeway Eyewear, Inc.
About The Huntington Art Gallery
Once the residence of Henry E. Huntington (1850–1927) and his wife, Arabella (1850–1924), the Huntington Art Gallery opened in 1928 to display one of the greatest collections of 18th-century British art in the country, including the celebrated Blue Boy by Thomas Gainsborough and Pinkie by Thomas Lawrence. When the finishing touches were put on the building in 1911, it was proclaimed one of the finest in Southern California, and a major achievement by architects Myron Hunt and Elmer Grey. The core collection was built by Henry and Arabella with the help of Joseph Duveen, the influential British art dealer who helped supply the collections of J. P. Morgan and Henry Clay Frick, among other high profile American collections at the time. Since then, The Huntington’s European collections have grown and now contain strong examples of art of the Italian, French and Netherlandish schools, as well as a broader range of British art and design. It presently numbers about 420 paintings, 370 sculptures, 2,500 objects of decorative art, and some 20,000 prints and drawings.
The Huntington Art Gallery once before provided context for an exhibition of contemporary works. The critically successful “Lesley Vance & Ricky Swallow,” (Nov. 10, 2012 - March 11, 2013) comprised about 20 abstract paintings and domestic-scale sculptures installed in a single room of the mansion.
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Contacts
Thea M. Page, 626-405-2260, tpage@huntington.org
Lisa Blackburn, 626-405-2140, lblackburn@huntington.org
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