July 27-Nov. 18, 2013
Library, West Hall
BLOG: "TO INLAY A PRINT" • MEDIA • SHOP
In the 18th and 19th centuries, historians, bibliophiles, and collectors
turned ordinary books into extraordinary “illuminated
palaces”—repositories for original art, prints and engravings, maps,
autograph letters, and the excised pages of other, more famous books.
This process of destruction and transformation, often called
“extra-illustration” or “grangerizing” (after its most famous early
advocate, the Rev. James Granger, an 18th-century cleric), was once a
genteel hobby in the United States and Britain.
Extra-Illustrated Books from the Huntington Library,” features
approximately 40 works dating from the late 1700s to the early 1900s,
when the practice was most popular.
“It’s at once fascinating and horrifying—the idea that someone would purposefully destroy a book in order to build their own custom creation,” said Stephen Tabor, curator of early printed books at The Huntington and co-curator of the exhibition with Lori Anne Ferrell, professor of English and history at Claremont Graduate University.
|Video: How to Inlay a Print, Illuminated|
Palaces [in-gallery video, 02:17]
| ||Video: Extra-Illustrated, Illuminated Palaces |
[in-gallery video, 05:45]
Perhaps the most impressive example in The Huntington’s collection is the Kitto
Bible: 60 massive volumes with more than 30,000 prints, engravings,
drawings, and other inserted materials. One huge volume of the Kitto,
containing just the books of Romans and 1 Corinthians, will be included
in “Illuminated Palaces.” Shakespeare’s work also appealed to
Grangerizers, and the exhibition features an extra-illustrated set of
his works with the original nine volumes expanded to 45. The hobby of Grangerizing fell out of fashion in the early 20th century, and
few bibliophiles were sorry to see it go. “For today’s book lovers and
book conservators, it’s considered a very questionable practice,” said
Ferrell. But she and Tabor would be the first to admit that it also
represents a fascinating chapter in the history of the book.