|
 |
 |
Louis
Comfort Tiffany (American, 1848-1933) began his artistic career
as a painter, but became famous for the design, fabrication and
marketing of decorative art objects. Many were inspired by natural
forms. The clues to the original plants are found in the shaft
of the lamp where clusters of field lily stalks, in bronze, lead
to down-turned petals, which serve as glass shades over the light
bulbs. The base, also in bronze, takes its form from water lily
leaves and buds. Tiffany perfected a special type of hand-blown
glass he called “favrile,” meaning handcrafted. He combined separate
colors in molten glass, which fused into vibrant, iridescent
colors (like a rainbow, or interior of a shell) in the hardened
glass. In 1885, Tiffany began to experiment with ways to use
the modern electric light bulb in his art work, first in architectural
places and then, around 1899, in table lamps for private, domestic
places. The size of this lamp is a clue that it stood on a small
table, perhaps in a living room. People responded to the soft
glow of his lamps, which created more of a mood than usable reading
light.
Special note: Although Tiffany’s name is associated with
works made by his company, many artists worked for him. Mrs.
Curtis Freschel created lamp designs for the firm, including
patterns for the lily lamps. |
|
 |
 |
|
 |
|
| |
 |
Picture a luxurious apartment in Paris in the late
18th century, and you might see a desk like this one. It might find
its place in a bedroom or one of the public living rooms. Desks were
extremely popular, a clue to the importance people placed on writing,
especially letter writing. Before the days of phones and email, people kept in touch with hand-written letters. The beauty of the desk provides
an important clue on its owner: only wealthy people could afford
such an expensive piece of furniture. The decoration includes delicate
flowers, meticulously created with tiny pieces of wood. The graceful
curving legs are fitted with gilt-bronze mounts, called ormolu. These
helped protect the edges of the desk and also created mood. In the
18th-century, people lit interiors with candles, whose light would
have danced off the surface of the golden-colored mounts and created
an intimate, romantic mood. One of these mounts (a secret!) holds
a tiny button which mechanically opens the desk. The drawer comes
forward and the top moves backward to reveal compartments where people stored their paper, pens, and ink, as well as valuable silverware,
jewels and documents. A flat surface popped up and could be tilted
to hold reading material or laid flat as a writing surface. Students
might consider the modern laptop as the latest version of this desk.
Both provide people with a means to write and store what is written.
Both provide secrecy, either with hidden buttons and locks, or with
modern passwords.
Special note: Mail was delivered three times a
day in 18th-century Paris, another clue to the importance people
placed on letter writing.
|
|
| |
|
|
|