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Portrait of Pauline
Astor, 1898-99 The Portrait of Pauline Astor (1898-99) is John Singer Sargent's largest and most impressive full-length portrait in a landscape setting. The Honourable Pauline Astor (1880-1970), was the eldest daughter of the American financier William Waldorf Astor, who emigrated from New York to London. William Waldorf Astor purchased the grand estate Cliveden in 1893 from the Duke of Westminster, who owned the Portrait of Jonathan Buttall, The Blue Boy (1770), Sir Thomas Gainsborough's greatest masterpiece. John Singer Sargent was at the height of his artistic powers and about to undertake the commission of his lifetime: to paint the daughter of one of the wealthiest men in the world; and, to challenge two of the greatest grand-manner portraitists in the history of art, Sir Anthony Van Dyck and Sir Thomas Gainsborough. Sargent rose to the challenge, fully realizing the ironic similarities. The beautiful Pauline Astor was 18 years of age, the same age as Jonathan Buttall when Gainsborough painted Blue Boy. Sargent was 43 years old at the time he painted Pauline Astor, the same age as Gainsborough when he painted The Blue Boy. It was 129 years after the death of Van Dyck that Gainsborough painted The Blue Boy; and it was 129 years after the creation of The Blue Boy that Sargent was about to take on the greatest challenge the world had ever seen in the grand-manner style of portraiture. |
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Sargent's homage to Gainsborough and Van Dyck is evident. Pauline Astor and the The Blue Boy are painted in a landscape setting, and the ground and water in the lower right in each painting are similar as well as the sky. Pauline is holding a fur muff while The Blue Boy holds a fur hat with a white feather. Both of their hands form a prominent "V" and both gaze directly at the viewer. Pauline's fur-trimmed silk wrap covers her other hand, and similarly The Blue Boy's cape covers his hand. Tugging at the folds of Pauline's gown is her ever-loyal King Charles spaniel "Mossie," an homage of respect and challenge to Van Dyck, the Flemish ex-patriot who created the grand-manner style while painting in the court of King Charles I. With the Portrait of Pauline Astor, Sargent achieved his goal, setting his everlasting place in grand-manner portraiture. Given that The Huntington has long been a home to Gainsborough's greatest masterpiece, it is most fitting that the institution now displays Sargent's unparalleled Portrait of Pauline Astor. The painting serves as a unique link between The Huntington's collections of American and English art. |
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